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Milorad Pavić
“Each of us promenades his thought, like a monkey on a leash. When you read, you always have to such monkeys: your own and one belonging to someone else. Or, even worse, a monkey and a hyena. Now, consider what you will feed them. For a hyena does not eat the same things as a monkey...”
Milorad Pavić, Dictionary of the Khazars

Milorad Pavić
“It is not I who mix the colors but your own vision,' he answered. 'I only place them next to one another on the wall in their natural state; it is the observer who mixes the colors in his own eye, like porridge. Therein lies the secret. The better the porridge, the better the painting, but you cannot make good porridge from bad buckwheat. Therefore, faith in seeing, listening, and reading is more important than faith in painting, singing, or writing.'

He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angel's eyes turn violet.

'I work with something like a dictionary of colors,' Nikon added, 'and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldn't someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole?”
Milorad Pavic, Dictionary of the Khazars: A Lexicon Novel

Milorad Pavić
“Houses are like books: so many of them around you, yet you only look at a few and visit or reside in fewer still.”
Milorad Pavic

Milorad Pavić
“Unfortunate and wretched are those who have respected a book they did not love and hated those they did.”
Milorad Pavic

Milorad Pavić
“And he gave me a few of the Xeroxed sheets of paper lying on the table in front of him. As he passed them to me, his thumb brushed mine and I trembled from the touch. I had the sensation that our past and our future were in our fingers and that they had touched. And so, when I began to read the proffered pages, I at one moment lost the train of thought in the text and drowned it in my own feelings. In these seconds of absence and self-oblivion, centuries passed with every read but uncomprehended and unabsorbed line, and when, after a few moments, I came to and re-established contact with the text, I knew that the reader who returns from the open seas of his feelings is no longer the same reader who embarked on that sea only a short while ago. I gained and learned more by not reading than by reading those pages...”
Milorad Pavic, Dictionary of the Khazars: A Lexicon Novel

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