“Pictures form and dissolve in my head:
we are walking in a city
you fled, came back to and come back to still
which I saw once through winter frost
years back, before I knew you,
before I knew myself.
We are walking streets you have by heart from childhood
streets you have graven and erased in dreams:
scrolled portals, trees, nineteenth century statues.
We are holding hands so I can see
everything as you see it
I follow you into your dreams
your past, the places
none of us can explain to anyone.”
― The Dream of a Common Language
we are walking in a city
you fled, came back to and come back to still
which I saw once through winter frost
years back, before I knew you,
before I knew myself.
We are walking streets you have by heart from childhood
streets you have graven and erased in dreams:
scrolled portals, trees, nineteenth century statues.
We are holding hands so I can see
everything as you see it
I follow you into your dreams
your past, the places
none of us can explain to anyone.”
― The Dream of a Common Language
“No one’s fated or doomed to love anyone.
The accidents happen, we’re not heroines,
they happen in our lives like car crashes,
books that change us, neighborhoods
we move into and come to love.
Tristan and Isolde is scarcely the story,
women at least should know the difference
between love and death. No poison cup,
no penance. Merely a notion that the tape-recorder
should have caught some ghost of us: that tape-recorder
not merely played but should have listened to us,
and could instruct those after us:
this we were, this is how we tried to love,
and these are the forces they had ranged against us,
and these are the forces we had ranged within us,
within us and against us, against us and within us.”
― The Dream of a Common Language
The accidents happen, we’re not heroines,
they happen in our lives like car crashes,
books that change us, neighborhoods
we move into and come to love.
Tristan and Isolde is scarcely the story,
women at least should know the difference
between love and death. No poison cup,
no penance. Merely a notion that the tape-recorder
should have caught some ghost of us: that tape-recorder
not merely played but should have listened to us,
and could instruct those after us:
this we were, this is how we tried to love,
and these are the forces they had ranged against us,
and these are the forces we had ranged within us,
within us and against us, against us and within us.”
― The Dream of a Common Language
“The longer I live the more I mistrust
theatricality, the false glamour cast
by performance, the more I know its poverty beside
the truths we are salvaging from
the splitting-open of our lives.
-from "Transcendental Etude”
― The Dream of a Common Language
theatricality, the false glamour cast
by performance, the more I know its poverty beside
the truths we are salvaging from
the splitting-open of our lives.
-from "Transcendental Etude”
― The Dream of a Common Language
“No one has imagined us. We want to live like trees,
sycamores blazing through the sulfuric air,
dappled with scars, still exuberantly budding,
our animal passion rooted in the city.”
― The Dream of a Common Language
sycamores blazing through the sulfuric air,
dappled with scars, still exuberantly budding,
our animal passion rooted in the city.”
― The Dream of a Common Language
“the phantom of the man-who-would-understand,
the lost brother, the twin ---
for him did we leave our mothers,
deny our sisters, over and over?
did we invent him, conjure him
over the charring log,
nights, late, in the snowbound cabin
did we dream or scry his face
in the liquid embers,
the man-who-would-dare-to-know-us?
It was never the rapist:
it was the brother, lost,
the comrade/twin whose palm
would bear a lifeline like our own:
decisive, arrowy,
forked-lightning of insatiate desire
It was never the crude pestle, the blind
ramrod we were after:
merely a fellow-creature
with natural resources equal to our own.”
― The Dream of a Common Language
the lost brother, the twin ---
for him did we leave our mothers,
deny our sisters, over and over?
did we invent him, conjure him
over the charring log,
nights, late, in the snowbound cabin
did we dream or scry his face
in the liquid embers,
the man-who-would-dare-to-know-us?
It was never the rapist:
it was the brother, lost,
the comrade/twin whose palm
would bear a lifeline like our own:
decisive, arrowy,
forked-lightning of insatiate desire
It was never the crude pestle, the blind
ramrod we were after:
merely a fellow-creature
with natural resources equal to our own.”
― The Dream of a Common Language
Julia’s 2024 Year in Books
Take a look at Julia’s Year in Books, including some fun facts about their reading.
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