Sucre

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Omar El Akkad
“One of the hallmarks of Western liberalism is an assumption in hindsight of virtuous resistance as the only polite expectation of people on the receiving end of colonialism. While the terrible thing is happening, while the land is still being stolen, and the natives still being killed, any form of opposition is terroristic and must be crushed for the sake of civilization. But decades, centuries later, when enough of the land has been stolen and enough of the natives killed, it is safe enough to venerate resistance in hindsight. I tell stories for a living and there’s a thick thread of narrative by well-meaning white Westerners that exalts the native populations in so many parts of the world for standing up to the occupiers. Makes of their narrative a neat, reflexive arc in which it was always understood by the colonized and, this part implied, the descendants of the colonizer, that what happened was wrong.”
Omar El Akkad, One Day, Everyone Will Have Always Been Against This

Mosab Abu Toha
“My grandfather kept the key to his house in Yaffa in 1948. He thought they would return in a few days. His name was Hasan. The house was destroyed. Others built a new one in its place. Hasan died in Gaza in 1986. The key has rusted but still exists somewhere, longing for the old wooden door.”
Mosab Abu Toha, Things You May Find Hidden in My Ear: Poems from Gaza

Omar El Akkad
“In times like these, one remarkable difference between the modern Western conservative and their liberal counterpart is that the former will gleefully sign their name on the side of the bomb while the latter will just sheepishly initial it.”
Omar El Akkad, One Day, Everyone Will Have Always Been Against This

Omar El Akkad
“It’s come to shape the way I think about every country, every community: Whose nonexistence is necessary to the self-conception of this place, and how uncontrollable is the rage whenever that nonexistence is violated?”
Omar El Akkad, One Day, Everyone Will Have Always Been Against This

Mosab Abu Toha
“The lemon in a poem, it might be the same lemon I saw on the tree; when he’s talking about the sun, it’s the same sun. I’m invited to notice and enjoy things that I usually can’t see when I’m afraid. So, to me, as a reader and poet, poetry can show things I never saw before. It also can bring my attention to something I saw but never enjoyed. And lastly, it assures me that I live on the same earth that Shakespeare, Wordsworth, Coleridge, and others inhabited.”
Mosab Abu Toha, Things You May Find Hidden in My Ear: Poems from Gaza

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