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Susan H.
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“If Miss Honeychurch ever takes to live as she plays, it will be very exciting--both for us and for her.”
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“So successfully have we disguised from ourselves the intensity of our own feelings, the sensibility of our own hearts, that plays in the tragic tradition have begun to seem untrue. For a couple of hours we may surrender ourselves to a world of fiercely illuminated values in conflict, but when the stage is covered and the auditorium lighted, almost immediately there is a recoil of disbelief. "Well, well!" we say as we shuffle back up the aisle, while the play dwindles behind us with the sudden perspective of an early Chirico painting. By the time we have arrived at Sardi's, if not as soon as we pass beneath the marquee, we have convinced ourselves once more that life has as little resemblance to the curiously stirring and meaningful occurrences on the stage as a jingle has to an elegy of Rilke.”
― Where I Live: Selected Essays
― Where I Live: Selected Essays
“In his youth, [he] had believed everything was possible. Then in grief, he believed everything was impossible. And now. . . he felt that when you had lived enough of your life, there was no difference between the two.”
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“The great and only possible dignity of man lies in his power deliberately to choose certain moral values by which to live as steadfastly as if he, too, like a character in a play, were immured against the corrupting rush of time. Snatching the eternal out of the desperately fleeting is the great magic trick of human existence. As far as we know, as far as there exists any kind of empiric evidence, there is no way to beat the beat the game of being against non-being, in which non-being is the predestined victor on realistic levels.”
― Where I Live: Selected Essays
― Where I Live: Selected Essays
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Susan’s 2025 Year in Books
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