Pamp

“If you tell a beautiful woman that she is beautiful, what have you given her? It's no more than a fact and it has cost you nothing. But if you tell an ugly woman that she is beautiful, you offer her the great homage of corrupting the concept of beauty. To love a woman for her virtues is meaningless. She's earned it, it's a payment, not a gift. But to love her for her vices is a real gift, unearned and undeserved. To love her for her vices is to defile all virtue for her sake - and that is a real tribute of love, because you sacrifice your conscience, your reason, your integrity and your invaluable self-esteem.”
― Ayn Rand, Atlas Shrugged

“Making love with a woman and sleeping with a woman are two separate passions, not merely different but opposite. Love does not make itself felt in the desire for copulation (a desire that extends to an infinite number of women) but in the desire for shared sleep (a desire limited to one woman).”
― Milan Kundera, The Unbearable Lightness of Being

“Learn to distinguish the difference between errors of knowledge and breaches of morality. An error of knowledge is not a moral flaw, provided you are willing to correct it; only a mystic would judge human beings by the standard of an impossible, automatic omniscience. But a breach of morality is the conscious choice of an action you know to be evil, or a willful evasion of knowledge, a suspension of sight and of thought. That which you do not know, is not a moral charge against you; but that which you refuse to know, is an account of infamy growing in your soul. Make every allowance for errors of knowledge; do not forgive or accept any break of morality.”
― Ayn Rand, Atlas Shrugged

“There was nothing to be done. From then on, there were flowers waiting for me every time we met, and in the end I gave in, because I was disarmed by the spontaneity of giving and understood tha Lucie cared for it; perhaps her tongue-tied state, her lack of verbal eloquence, made her think of flowers as a form of speech; not in the sense of heavy-handed conventional flower symbolism, but in a sense still more archaic, more nebulous, more instinctive, prelinguistic; perhaps, having always been sparing of words, she longed for that mute stage of evolution when there were no words and people communicated by simple gestures”
― Milan Kundera, The Joke