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Milan Kundera
“Since then, whenever I make new acquaintances, men or women with the potential of becoming friends or lovers, I project them back into that time, that hall, and ask myself whether they would have raised their hands; no one has ever passed the test: every one of them has raised his hand in the same way my former friends and colleagues (willingly or not, out of conviction or fear) raised theirs. You must admit: it's hard to live with people willing to send you to exile or death, it's hard to become intimate with them, it's hard to love them.”
Milan Kundera, The Joke

Milan Kundera
“There was nothing to be done. From then on, there were flowers waiting for me every time we met, and in the end I gave in, because I was disarmed by the spontaneity of giving and understood tha Lucie cared for it; perhaps her tongue-tied state, her lack of verbal eloquence, made her think of flowers as a form of speech; not in the sense of heavy-handed conventional flower symbolism, but in a sense still more archaic, more nebulous, more instinctive, prelinguistic; perhaps, having always been sparing of words, she longed for that mute stage of evolution when there were no words and people communicated by simple gestures”
Milan Kundera, The Joke

Ayn Rand
“It's not that I don't suffer, it's that I know the unimportance of suffering. I know that pain is to be fought and thrown aside, not to be accepted as part of one's soul and as a permanent scar across one's view of existence.”
Ayn Rand, Atlas Shrugged

Milan Kundera
“It was only an idea, a sudden flash, but it kept coming back to me, and I couldn't help thinking, why am I alive, what good is there in going on, but it's not true really, I didn't think anything of the sort, I was hardly thinking at all, I just imagined myself no longer alive and suddenly I felt such bliss, such strange bliss that I wanted to laugh and maybe really did begin to laugh.”
Milan Kundera, The Joke

Milan Kundera
“I came to realize that there was no power capable of changing the image of my person lodged somewhere in the supreme court of human destinies; that this image (even though it bore no resemblance to me) was much more real than my actual self; that I was its shadow and not it mine; that I had no right to accuse it of bearing no resemblance to me, but rather that it was I who was guilty of the non-resemblance; and that the non-resemblance was my cross, which I could not unload on anyone else, which was mine alone to bear.”
Milan Kundera, The Joke

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