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Julian Barnes
“Metti insieme due persone che insieme non sono mai state; a volte il mondo cambia e a volte no. Può darsi che si schiantino e prendano fuoco, o che prendano fuoco e si schiantino. Ma a volte, invece, ne nasce qualcosa di nuovo, e allora il mondo cambia. Insieme, in quel primo momento esaltante, con quella sensazione esplosiva di ascesa, esse sono più grandi dei loro sé individuali. Insieme, vedono più lontano, più chiaro.”
― Julian Barnes, Levels of Life

Sally Rooney
“That was it, people moved away, he moved away. Their life in Carricklea, which they had imbued with such drama and significance, just ended like that with no conclusion, and it would never be picked back up again, never in the same way.”
― Sally Rooney, Normal People

Sally Rooney
“Instead everyone has to pretend not to notice that their social lives are arranged hierarchically, with certain people at the top, some jostling at mid-level, and others lower down. Marianne sometimes sees herself at the very bottom of the ladder, but at other times she pictures herself off the ladder completely, not affected by its mechanics, since she does not actually desire popularity or do anything to make it belong to her. From her vantage point it is not obvious what rewards the ladder provides, even to those who really are at the top.”
― Sally Rooney, Normal People

Julian Barnes
“You put together two people who have not been put together before; and sometimes the world is changed, sometimes not. They may crash and burn, or burn and crash. But sometimes, something new is made, and then the world is changed. Together, in that first exaltation, that first roaring sense of uplift, they are greater than their two separate selves. Together, they see further, and they see more clearly.”
― Julian Barnes, Levels of Life

Sally Rooney
“Suddenly he can spend an afternoon in Vienna looking at Vermeer’s The Art of Painting, and it’s hot outside, and if he wants he can buy himself a cheap cold glass of beer afterwards. It’s like something he assumed was just a painted backdrop all his life has revealed itself to be real: foreign cities are real, and famous artworks, and underground railway systems, and remnants of the Berlin Wall. That’s money, the substance that makes the world real. There’s something so corrupt and sexy about it.”
― Sally Rooney, Normal People

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