Les Reynolds

“It struck her now that maybe she needed to let go a bit more often. To try and, yes, occasionally to fail. To accept that life is messy and sometimes mistakes are made; that sometimes they’re not even really mistakes, because life isn’t linear, and it comprises countless small and large decisions every day.”
― Kate Morton, The Clockmaker’s Daughter

“...for without contrasts, how does one appreciate the different forms that joy can take?”
― N.K. Jemisin, How Long 'til Black Future Month?

“Parents and children. The simplest relationship in the world and yet the most complex. One generation passes to the next a suitcase filled with jumbled jigsaw pieces from countless puzzles collected over time and says, ‘See what you can make out of these.”
― Kate Morton, The Clockmaker’s Daughter

“Nell did not imagine that Constable Moore wanted to get into a detailed discussion of recent events, so she changed the subject. "I think I have finally worked out what you were trying to tell me, years ago, about being intelligent," she said.

The Constable brightened all at once. "Pleased to hear it."

The Vickys have an elaborate code of morals and conduct. It grew out of the moral squalor of an earlier generation, just as the original Victorians were preceded by the Georgians and the Regency. The old guard believe in that code because they came to it the hard way. They raise their children to believe in that code– but their children believe it for entirely different reasons."

They believe it," the Constable said, "because they have been indoctrinated to believe it."

Yes. Some of them never challenge it– they grow up to be smallminded people, who can tell you what they believe but not why they believe it. Others become disillusioned by the hypocrisy of the society and rebel– as did Elizabeth Finkle-McGraw."

Which path do you intend to take, Nell?" said the Constable, sounding very interested. "Conformity or rebellion?"

Neither one. Both ways are simple-minded– they are only for people who cannot cope with contradiction and ambiguity.”
― Neal Stephenson, The Diamond Age: Or, a Young Lady's Illustrated Primer