Emily

“Nervy little Shades' Hill purse-clutcher, thinking you can keep me in the dark. What plan?"
"The plan to steal a corpse."
"Ahem. Anything else you'd like to tell me about it?"
"It's brilliant.”
― Scott Lynch, The Lies of Locke Lamora

“Vicky hated complicated births because the families never understood. They got angry, they blamed the doctors for the woman bleeding out, for the breached baby, or, in the best cases, for the emergency C-section. They didn't understand the simple explanation that these things happened, that it was nature, that women had died of childbirth for centuries. They couldn't understand that a birth wasn't some sacred experience, all that hocus pocus. These doctors ruining their bliss. She detested relatives.”
― Mariana Enríquez, Nuestra parte de noche

“How does one hate a country, or love one? Tibe talks about it; I lack the trick of it. I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply? What is love of one's country; is it hate of one's uncountry? Then it's not a good thing. Is it simply self-love? That's a good thing, but one mustn't make a virtue of it, or a profession... Insofar as I love life, I love the hills of the Domain of Estre, but that sort of love does not have a boundary-line of hate. And beyond that, I am ignorant, I hope.”
― Ursula K. Le Guin, The Left Hand of Darkness

“Lo que pasa es real, pero la vida también.”
― Mariana Enríquez, Nuestra parte de noche