

“I am optimistic that the so-called hard problem of consciousness will be solved by empirical and conceptual advances - working in tandem - made in cognitive neuroscience. What is the hard problem? No-one has a clue (at the moment) how to answer the question of why the neural basis of the phenomenal feel of my experience of, for example red, is the neural basis of that particular phenomenal feel rather than a different one or none at all. There is an explanatory gap here that we do not know how to close now, but I have faith that we will someday. The hard problem is conceptually and explanatorily prior to the issue of what the nature of the self is, as can be seen in part by noting that the problem would persist even for experiences that aren't organised into selves. No doubt solving the hard problem (i.e closing the explanatory gap) will require ideas we cannot now anticipate. The mind-body problem is so singular that no appeal to the closing of past explanatory gaps justifies optimism. But I remain optimistic nonetheless.”
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“A story must be judged according to whether it makes sense. And 'making sense' must be here understood in its most direct meaning: to make sense is to enliven the senses. A story that makes sense is one that stirs the senses from their slumber, one that opens the eyes and the ears to their real surroundings, tuning the tongue to the actual tastes in the air and sending chills of recognition along the surface of the skin. To make sense is to release the body from the constraints imposed by outworn ways of speaking, and hence to renew and rejuvenate one's felt awareness of the world. It is to make the senses wake up to where they are.”
― The Spell of the Sensuous: Perception and Language in a More-Than-Human World
― The Spell of the Sensuous: Perception and Language in a More-Than-Human World
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