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“When one day fate visits us again, Jessa comes running into Hannah’s house to tell us the news that they’ve caught the serial killer. Her tone is hushed and I try hard not to look at Jude, who is working on the skirting boards. But I can feel the humour in his gaze as it falls on me and I know that I will never live down the fact that I suspected him.
When I ask her, “Who?” slightly curious, she’s already out the door looking for Hannah and Tate. “No one important!” she shouts from the other room. “Just some postman in Yass.” I look at Jude’s face and I see it whiten and we vow never ever to tell the others.”
― On the Jellicoe Road
When I ask her, “Who?” slightly curious, she’s already out the door looking for Hannah and Tate. “No one important!” she shouts from the other room. “Just some postman in Yass.” I look at Jude’s face and I see it whiten and we vow never ever to tell the others.”
― On the Jellicoe Road
“Just 'Your mother.'" But it doesn't work if girls say it to each other," she continues. "You have to have a penis for it to affect you in such a way.”
― On the Jellicoe Road
― On the Jellicoe Road
“The pages aren't numbered, so I don't know whether I have the beginning or end or whether it's in sequence but these days I'm not really looking for continuity. All I'm after is something that makes sense to me.”
― On the Jellicoe Road
― On the Jellicoe Road
“Travel is rebellion in its purest form.
- we follow our heart
- we free ourselves of labels
- we lose control willingly
- we trade a role for reality
- we love the unfamiliar
- we trust strangers
- we own only what we can carry
- we search for better questions, not answers
- we truly graduate
- we, sometimes, choose never to come back.”
―
- we follow our heart
- we free ourselves of labels
- we lose control willingly
- we trade a role for reality
- we love the unfamiliar
- we trust strangers
- we own only what we can carry
- we search for better questions, not answers
- we truly graduate
- we, sometimes, choose never to come back.”
―
“Each day, at the same time, Jude would return and they would be there, led by Webb, whose life could not have been more different than his. Where Webb's memories of childhood were idyllic and earthy, Jude's reeked of indifference. Webb read fantasy; Jude read realism. Webb believed a tree house was the perfect place for gaining a different perspective on the world; Jude saw it as perfect for surveillance and working out who or what was a threat to them. They argued about sport codes and song lyrics. Jude saw the rain-dirty valley; Webb saw Brigadoon. Yet, despite all this, they connected, and the nights they spent in the tree house discussing their brave new worlds and not so brave emotions made everything else in their lives insignificant. Somehow the world of Webb and Fitz and Tate and Narnie became the focus of Jude's life.”
― On the Jellicoe Road
― On the Jellicoe Road
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