Marine

“I had a teacher I liked who used to say good fiction’s job was to comfort the disturbed and disturb the comfortable. I guess a big part of serious fiction’s purpose is to give the reader, who like all of us is sort of marooned in her own skull, to give her imaginative access to other selves. Since an ineluctable part of being a human self is suffering, part of what we humans come to art for is an experience of suffering, necessarily a vicarious experience, more like a sort of “generalization” of suffering. Does this make sense? We all suffer alone in the real world; true empathy’s impossible. But if a piece of fiction can allow us imaginatively to identify with a character’s pain, we might then also more easily conceive of others identifying with our own. This is nourishing, redemptive; we become less alone inside.”
― David Foster Wallace

“When you blame, you open up a world of excuses, because as long as you're looking outside, you miss the opportunity to look inside, and you continue to suffer.”
― Donna Quesada, Buddha in the Classroom: Zen Wisdom to Inspire Teachers

“Stop fighting me!" he said, trying to pull on the arm he held.

He was in a precarious position himself, straddling the rail as he tried to lean over far enough to get me and actually hold onto me.

“Let go of me!” I yelled back.

But he was too strong and managed to haul most of me over the rail, enough so that I wasn’t in total danger of falling again.

See, here’s the thing. In that moment before I let go, I really had been contemplating my death. I’d come to terms with it and accepted it. I also, however, had known Dimitri might do something exactly like this. He was just that fast and that good. That was why I was holding my stake in the hand that was dangling free.

I looked him in the eye. "I will always love you."

Then I plunged the stake into his chest.

It wasn’t as precise a blow as I would have liked, not with the skilled way he was dodging. I struggled to get the stake in deep enough to his heart, unsure if I could do it from this angle. Then, his struggles stopped. His eyes stared at me, stunned, and his lips parted, almost into a smile, albeit a grisly and pained one.

"That’s what I was supposed to say. . .” he gasped out.

Those were his last words.”
― Richelle Mead, Blood Promise

“On the face of her phone
Wileen programs a message to herself
so that when the alarm clock rings
the screen flashes:
EVERY DAY IS ONE DAY LESS.
EVERY DAY IS ONE DAY LESS.

For some people
happiness
it's just a reduction in suffering.

Jordan.
Jordan tattoos the words
FORGIVE ME
in thick black letters
down the inside of his arm
so that when he looks at his wrist
he will remember not to hate himself so much.

What he keeps forgetting
is that there is life after survival.”
― Buddy Wakefield