Meredith

“Lucy, who apparently had no idea his girlfriend's father held him in such low regard, agreed with Noonan that he was pushing the envelope, behaviorwise. Still, he was genuinely fond of the man and didn't want to believe there was anything seriously wrong. After all, he argued, wasn't Mr. Berg's lunacy born of genius? Even though Lucy loved and defended Thomaston, he had to admit that the man was out of place there. He was despised by most faculty members and secretly made fun of, but even those who loathed him feared his acid wit, his searing intelligence. For all his eccentricity, he was the best teacher either of them had ever had, and honors was worth more than all their other classes combined, not so much in spite of its instructor being dangerously off center as because of it. The weirder things got, the more boundaries that were ignored, the more interesting things became. But what if one of the boundaries they were crossing was the one that separated sanity from madness? Lucy, perhaps out of loyalty to Sarah, didn't want to believe that this was what they were witnessing. Noonan, though, was apprehensive.”
― Richard Russo, Bridge of Sighs

“She is shocked, and also afraid to look at him. As he turns the page, he's describing a dessert whose name he cannot remember but which arrived at the table in flames. She feels utterly bewildered. This is who her father is: someone tickled by the existence of sushi. Someone who takes pictures inside a restaurant. Her father is cheesy. Even his handsomeness, she thinks, looking at one of the few photos in which he appears, is of a certain harmlessly generic sort, the handsomeness of a middle-aged male model in the department-store insert of the Sunday Inquirer. Has she only imagined him as a monster? His essential lesson, she always believed, was this: There are many ways for you to transgress, and most you will not recognize until after committing them. But is it she who invented this lesson? At the least, she met him halfway, she bought in to it. Not just as a child but all through adolescence and into adulthood--until this very moment. She realized now that Allison does not buy in to it, that she must not have for years, and that's why Allison doesn't fight with their father or refuse to talk to him for long stretches. Why bother? Hannah always assumed Allison was bullied into her paternal devotion, but no--it is Hannah who has seen his anger as much bigger than it ever was.”
― Curtis Sittenfeld, The Man of My Dreams

“But maybe this is what Hannah has always wanted: a man who will deny her. A man of her own who isn't hers. Isn't it the real reason she broke up with Mike--not because he moved to North Carolina for law school (he wanted her to go with him, and she said no) but because he adored her? If she asked him to get out of bed and bring her a glass of water, he did. If she was in a bad mood, he tried to soothe her. It didn't bother him if she cried, or if she didn't wash her hair or shave her legs or have anything interesting to say. He forgave it all, he always thought she was beautiful, he always wanted to be around her. It became so boring! She'd been raised, after all, not to be accommodated but to accommodate, and if she was his world, then his world was small, he was easily satisfied. After a while, when he parted her lips with his tongue, she'd think, Thrash, thrash, here we go. She wanted to feel like she was striving cleanly forward, walking into a bracing wind and learning from her mistakes, and she felt instead like she was sitting in a deep, squishy sofa, eating Cheetos, in an overheated room. With Oliver, there is always contrast to shape their days, tension to keep them on their toes: You are far form me, you are close to me. We are fighting, we are getting along.”
― Curtis Sittenfeld, The Man of My Dreams

“No eleven-year-old has any real grasp of death. He doesn't have any real concept of other people--that they feel pain, even that they exist. And his own adult future isn't real to him, either. Makes it that much easier to throw away.”
― Lionel Shriver, We Need to Talk About Kevin