Annie Lavinsky

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William Goldman
“I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. "What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here"—he glanced at Buttercup—"and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive."

You are only alive now because you said 'to the pain.' I want that phrase explained."

My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—"

And then my right eye, and then my ears, and shall we get on with it?" the Prince said.

Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!"

The sword crashed to the floor.”
William Goldman, The Princess Bride

L.M. Montgomery
“But I'll have to ask you to wait a long time, Anne," said Gilbert sadly. "It will be three years before I'll finish my medical course. And even then there will be no diamond sunbursts and marble halls."

Anne laughed.

"I don't want sunbursts and marble halls. I just want YOU. You see I'm quite as shameless as Phil about it. Sunbursts and marble halls may be all very well, but there is more `scope for imagination' without them. And as for the waiting, that doesn't matter. We'll just be happy, waiting and working for each other -- and dreaming. Oh, dreams will be very sweet now."

Gilbert drew her close to him and kissed her. Then they walked home together in the dusk, crowned king and queen in the bridal realm of love, along winding paths fringed with the sweetest flowers that ever bloomed, and over haunted meadows where winds of hope and memory blew.”
L. M. Montgomery, Anne of the Island

Shannon L. Alder
“When you find a guy who calls you beautiful instead of hot, who calls you back when you hang up on him, who will stand in front of you when other’s cast stones, or will stay awake just to watch you sleep, who wants to show you off to the world when you are in sweats, who will hold your hand when your sick, who thinks your pretty without makeup, the one who turns to his friends and say, ‘that’s her’, the one that would bear your rejection because losing you means losing his will to live, who kisses you when you screw up, watches the stars and names one for you and will hold and rock that baby for hours so you can sleep…..you marry him all over again.”
Shannon Alder

Voltaire
“Now, now my good man, this is no time to be making enemies."
(Voltaire on his deathbed in response to a priest asking him that he renounce Satan.)”
Voltaire

Teresa Medeiros
“I don’t want to marry you. I don’t want to want you,” he added fiercely, taking one measured step toward her, then another. “And I sure as hell don’t want to love you. But, God help me, I just can’t stop myself.” Closing the rest of the distance between them in a single stride, he snatched her up by the shoulders, his burning gaze searching her face as if to sear her features into his memory. “I don’t want to marry you because I love you too much to ask you to spend the rest of your life hiding in the shadows.”
Teresa Medeiros, After Midnight

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