Ashwini

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Mary H.K. Choi
“Fernweh is rooted in pain, or sickness and sadness,” says Gina. “It’s directly translated as ‘far pain’ or ‘far sickness’ as opposed to ‘heimweh’ or ‘homesickness.’ But it’s also longing for the unknown, since the familiar is stifling or challenging. The foreign can seem fantastic, exalted, since its possibilities are infinite. We have no data or experience around it. But once we arrive and the faraway is known and becomes familiar, then what? You’ve got all that energy and longing and possibility that no longer has anywhere to go. It’s got nowhere to be invested, nowhere to live.”
Mary H.K. Choi, Yolk

Gabrielle Zevin
“The alternative to appropriation is a world in which artists only reference their own cultures."

"That's an oversimplification of the issue."

"The alternative to appropriation is a world where white European people make art about white European people with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world don't you? I'm terrified of that world and I don't want to live in a that world, and as a mixed race person, I literally don't exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Korea Town Los Angeles and as any mixed race person will tell you-- to be half of two things is to be whole of nothing.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Leigh Bardugo
“The easiest way to steal a man’s wallet is to tell him you’re going to steal his watch. You take his attention and direct it where you want it to go.”
Leigh Bardugo, Six of Crows

Nicola Yoon
“We have big, beautiful brains. We invent things that fly. Fly. We write poetry. You probably hate poetry, but it’s hard to argue with ‘Shall I compare thee to a summer’s day? Thou art more lovely and more temperate’ in terms of sheer beauty. We are capable of big lives. A big history. Why settle? Why choose the practical thing, the mundane thing? We are born to dream and make the things we dream about.”
Nicola Yoon, The Sun is Also a Star

Patrick Ness
“Stories don't always have happy endings."

This stopped him. Because they didn't, did they? That's one thing the monster had definitely taught him. Stories were wild, wild animals and went off in directions you couldn't expect.”
Patrick Ness, A Monster Calls

year in books
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