Sandra N.

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Book cover for Infinity Net: The Autobiography of Yayoi Kusama
Action Painting was all the rage then, and everybody was adopting this style and selling the stuff at outrageous prices. My paintings were the polar opposite in terms of intention, but I believed that producing the unique art that came from ...more
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Yayoi Kusama
“My revolution of the Self, which has been such an essential part of my life so far, is all about discovering death. My destiny is to make art for my own requiem: art which gives meaning to death, tracing the beauty of colours and space in the silence of death’s footsteps and the ‘nothingness’ it promises.”
Yayoi Kusama, Infinity Net: The Autobiography of Yayoi Kusama

Yayoi Kusama
“O Time: hold still awhile. I have so much more work to do. There are so many things I want to express. But time just keeps ticking away, and the earth never for an instant ceases to turn.”
Yayoi Kusama, Infinity Net: The Autobiography of Yayoi Kusama

Yayoi Kusama
“Sometimes, when I was tired of working, I would go to the Museum of Modern Art. Standing before the great pageant of art history, I would gaze on the works that have survived beyond their times, analy-sing and evaluating them as if trying to solve mathematical puzzles, attempting to assess them in the context of the societies and times that had engendered them; but then I would return to myself and, in trying to consider the next starting point for my work, always find myself faced with the difficulty of reading my own future.”
Yayoi Kusama, Infinity Net: The Autobiography of Yayoi Kusama

“Becoming a draftsman takes years of focused application and self-discipline. It is tempting to reduce the mastery of drawing to the completion of a few exercises. However, drawing would not have challenged and fascinated the many brilliant minds found in art history if it could have been mastered so easily. Unfortunately, there are no shortcuts to greatness; becoming a master artist takes a lifetime of sustained effort, study, and focus. The atelier curriculum points the way to the goal of mastery, but it is the diligent personal application of these principles over time that determines success.”
Juliette Aristides, Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice

Yayoi Kusama
“With this first letter I sent fourteen watercolors, including Nostalgia of the Orient, Glorious Sunset at Sea, Distressed Stars on Earth, Deep Sorrow, Kingdom of Ferns, Abandoned Heart, and Rye and Rainbow.”
Yayoi Kusama, Infinity Net: The Autobiography of Yayoi Kusama

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