Action Painting was all the rage then, and everybody was adopting this style and selling the stuff at outrageous prices. My paintings were the polar opposite in terms of intention, but I believed that producing the unique art that came from
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“The benefits of astronomers speaking with sociologists and anthropologists and political scientists and, of course, philosophers can be tremendous. Yet I have learned that in academia, interdisciplinary careers often share the fate of rare seashells swept onto the shore: if someone doesn’t pick them up and preserve them, they erode over time until unrelenting ocean waves render them into indistinguishable grains of sand.”
― Extraterrestrial: The First Sign of Intelligent Life Beyond Earth – A New York Times Bestselling Science Book on the Oumuamua Mystery and Alien Technology from Harvard's Top Astronomer
― Extraterrestrial: The First Sign of Intelligent Life Beyond Earth – A New York Times Bestselling Science Book on the Oumuamua Mystery and Alien Technology from Harvard's Top Astronomer
“Becoming a draftsman takes years of focused application and self-discipline. It is tempting to reduce the mastery of drawing to the completion of a few exercises. However, drawing would not have challenged and fascinated the many brilliant minds found in art history if it could have been mastered so easily. Unfortunately, there are no shortcuts to greatness; becoming a master artist takes a lifetime of sustained effort, study, and focus. The atelier curriculum points the way to the goal of mastery, but it is the diligent personal application of these principles over time that determines success.”
― Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice
― Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice
“Psychological and physical frictions abound in the rifts between human beings and the enigmatic, civilised jungle they inhabit. I am deeply interested in trying to understand the relationships between people, society, and nature; and my work is forged from accumulations of these frictions.”
― Infinity Net: The Autobiography of Yayoi Kusama
― Infinity Net: The Autobiography of Yayoi Kusama
“My revolution of the Self, which has been such an essential part of my life so far, is all about discovering death. My destiny is to make art for my own requiem: art which gives meaning to death, tracing the beauty of colours and space in the silence of death’s footsteps and the ‘nothingness’ it promises.”
― Infinity Net: The Autobiography of Yayoi Kusama
― Infinity Net: The Autobiography of Yayoi Kusama
“What I think about first and foremost is that I want to create good art. That is my sole desire. It would be futile and meaningless to focus on the shrinking time-frame before me, or to think of my limitations. I shall never stop striving to create works that will shine on after my death. There are nights when I cannot sleep simply because my heart is bursting with the aspiration to make art that will last forever. I feel how truly wonderful life is, and I tremble with undying fascination for the world of art, the only place that gives me hope and makes life worthwhile. And no matter how I may suffer for my art, I will have no regrets. This is the way I have lived my life, and it is the way I shall go on living.”
― Infinity Net: The Autobiography of Yayoi Kusama
― Infinity Net: The Autobiography of Yayoi Kusama
Sandra’s 2025 Year in Books
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