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"WHY oh WHY would you go with a British translator for the second book when the first one was in American English? All my beloved characters are saying shit like "hogwash" and speaking in single-quotes!" — Jul 09, 2026 07:18PM
"WHY oh WHY would you go with a British translator for the second book when the first one was in American English? All my beloved characters are saying shit like "hogwash" and speaking in single-quotes!" — Jul 09, 2026 07:18PM
One result of all this debt is to render the government itself the main mechanism for the extraction of corporate profits. (Just think, here, of what happens if one tries to default on one’s student loans: the entire legal apparatus leaps
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“Diogenes thought every “sane” person in the world was actually insane for heeding any of the customs upholding a world full of greed, corruption, and ignorance.”
― How to Do Nothing: Resisting the Attention Economy
― How to Do Nothing: Resisting the Attention Economy
“He wanted to forget he'd ever yielded to the weakness of wanting anything. He wanted to scrub away any evidence that he existed outside his own head at all—that he was a visible object that anyone else could see and mock and judge.”
― These Violent Delights
― These Violent Delights
“I don't think it's a coincidence that this crisis in paying attention has taken place at the same time as the worst crisis of democracy since the 1930s. People who can't focus will be more drawn to simplistic authoritarian solutions--and less likely to see clearly when they fail. A world full of attention-deprived citizens alternating between Twitter and Snapchat will be a world of cascading crises where we can't get a handle on any of them.”
― Stolen Focus: Why You Can't Pay Attention— and How to Think Deeply Again
― Stolen Focus: Why You Can't Pay Attention— and How to Think Deeply Again
“He’s drop dead gorgeous and more popular than Justin Bieber. Well, at least before Beebs went off the rails.”
― The Deal
― The Deal
“There’s this idea in psychoanalysis that I’ve always liked.” Julian pulled himself closer and rested his head in the crook of Paul’s arm. “It’s that what we call ‘love’ is actually letting your identity fill in around the shape of the other person—you love someone by defining yourself against them. It says loss hurts because there’s nothing holding that part of you in place anymore. But your outline still holds, and it keeps holding. The thing you shaped yourself into by loving them, you never stop being that. The marks are permanent, so the idea of the person you loved is permanent, too.”
― These Violent Delights
― These Violent Delights
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