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Kit Ellis
https://www.goodreads.com/jellyboatpirate
“You don’t owe prettiness to anyone. Not to your boyfriend/spouse/partner, not to your co-workers, especially not to random men on the street. You don’t owe it to your mother, you don’t owe it to your children, you don’t owe it to civilization in general. Prettiness is not a rent you pay for occupying a space marked ‘female’.”
―
―
“If you consider a woman less pure after you’ve touched her
maybe you should take a looks at your hands.”
―
maybe you should take a looks at your hands.”
―
“The old women in black at early Mass in winter
are a problem for him. He could tell by their eyes
they have seen Christ. They make the kernel
of his being and the clarity around it
seem meager, as though he needs girders
to hold up his unusable soul. But he chooses
against the Lord. He will not abandon his life.
Not his childhood, not the ninety-two bridges
across the two rivers of his youth. Nor the mills
along the banks where he became a young man
as he worked. The mills are eaten away, and eaten
again by the sun and its rusting. He needs them
even though they are gone, to measure against.
The silver is worn down to the brass underneath
and is the better for it. He will gauge
by the smell of concrete sidewalks after night rain.
He is like an old ferry dragged on to the shore,
a home in its smashed grandeur, with the giant beams
and joists. Like a wooden ocean out of control.
A beached heart. A cauldron of cooling melt.”
― Refusing Heaven: Poems
are a problem for him. He could tell by their eyes
they have seen Christ. They make the kernel
of his being and the clarity around it
seem meager, as though he needs girders
to hold up his unusable soul. But he chooses
against the Lord. He will not abandon his life.
Not his childhood, not the ninety-two bridges
across the two rivers of his youth. Nor the mills
along the banks where he became a young man
as he worked. The mills are eaten away, and eaten
again by the sun and its rusting. He needs them
even though they are gone, to measure against.
The silver is worn down to the brass underneath
and is the better for it. He will gauge
by the smell of concrete sidewalks after night rain.
He is like an old ferry dragged on to the shore,
a home in its smashed grandeur, with the giant beams
and joists. Like a wooden ocean out of control.
A beached heart. A cauldron of cooling melt.”
― Refusing Heaven: Poems
“This is the time and place
to be alive:
when the daily furniture of our lives stirs,
when the improbable arrives.
Pots and pans bang together
in celebration, clang past the crowd of garlic, onions, spices,
fly by the ceiling fan.
No one is looking for the door.
In all this excitement
I'm wondering where
I've left my feet, and why
my hands are outside, clapping. ”
―
when the daily furniture of our lives stirs,
when the improbable arrives.
Pots and pans bang together
in celebration, clang past the crowd of garlic, onions, spices,
fly by the ceiling fan.
No one is looking for the door.
In all this excitement
I'm wondering where
I've left my feet, and why
my hands are outside, clapping. ”
―
Kit’s 2025 Year in Books
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