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Ursula K. Le Guin
“While we read a novel, we are insane—bonkers. We believe in the existence of people who aren't there, we hear their voices... Sanity returns (in most cases) when the book is closed.”
Ursula K. Le Guin

C.S. Pacat
“Then, in the spirit of benevolence, "Your face is well balanced." She slapped him encouragingly on the back, "You have very long eyelashes. Like a cow.”
S.U. Pacat, Captive Prince

C.S. Pacat
“I like writing that is restrained and invisible. I don't mean that I like things to be simple and easy to decode, the opposite. I like writers who deal with ambiguities, biased viewpoint and subjective truth; I like the writing to be clean but everything behind the writing to be complex. I like to feel that there are things going on in the spaces and behind the lines.”
S.U. Pacat

Albert Camus
“In the midst of winter, I found there was, within me, an invincible summer.

And that makes me happy. For it says that no matter how hard the world pushes against me, within me, there’s something stronger – something better, pushing right back.”
Albert Camus

C.S. Pacat
“(Dorothy) Dunnett is the master of the invisible, particularly in her later books. Where is this tension coming from? Why is this scene so agonizing? Why is this scene so emotional? Tension and emotion pervade the books, sometimes almost unbearably, yet when you look at the writing, at the actual words, there's nothing to show that the scene is emotional at all. I think it is because Dunnett layers her novels, meaning that each event is informed by what has come before (and what came before that, and what came before that) but Dunnett doesn't signpost in the text that this is happening, leaving it to the reader to bring the relevant information to the table”
S.U. Pacat

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