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Pd Lyons
http://pdlyons.wordpress.com/
“If only I could cry. I am beyond that. The light, the light, lending itself to empty downtown Saturday, but still the stupid insensate cars flush by oblivious to their stupidity, my silent plea.
It isn't Mexico. It's not Paris. It's a painting by Hopper come to life. I am trapped inside a dead thing. Language is impossible here, even in English. Who has the arrogance to say: I'm mad, this is my crazy view of things, help me.
I'm trapped in a silent world, a tableau of forty years ago. The walls are different, the tables, the heights of the veiling and the chairs. I loom above this letter. The view past the rows of cakes in the plate glass window is unfamiliar. I am a ghost. There is nothing now between me and death. Death is the unfamiliarity of everything, the strangeness of the once familiar. The same spatial configurations only the light is hollow, sick.
I think I lack the energy to hit expensive discos which I don't know where they are to be rejected tonight. I look passable. My energy's low. I love to dance but despair is not a good muse.
This Mexico, babe. Men who don't love you but act wildly as if they do initially. Self-involved, narcissistic men... The men drink and philosophize about pain. The women live it solo and culturelessly. No one cries, except easily, sentimentally. The devil, therefore God, exists.
Oaxaca was a pushover compared to this. Pain had boundaries there.
Spare us big cities, oh lord!”
― Give Sorrow Words: Maryse Holder's Letters From Mexico
It isn't Mexico. It's not Paris. It's a painting by Hopper come to life. I am trapped inside a dead thing. Language is impossible here, even in English. Who has the arrogance to say: I'm mad, this is my crazy view of things, help me.
I'm trapped in a silent world, a tableau of forty years ago. The walls are different, the tables, the heights of the veiling and the chairs. I loom above this letter. The view past the rows of cakes in the plate glass window is unfamiliar. I am a ghost. There is nothing now between me and death. Death is the unfamiliarity of everything, the strangeness of the once familiar. The same spatial configurations only the light is hollow, sick.
I think I lack the energy to hit expensive discos which I don't know where they are to be rejected tonight. I look passable. My energy's low. I love to dance but despair is not a good muse.
This Mexico, babe. Men who don't love you but act wildly as if they do initially. Self-involved, narcissistic men... The men drink and philosophize about pain. The women live it solo and culturelessly. No one cries, except easily, sentimentally. The devil, therefore God, exists.
Oaxaca was a pushover compared to this. Pain had boundaries there.
Spare us big cities, oh lord!”
― Give Sorrow Words: Maryse Holder's Letters From Mexico
“One's dignity may be assaulted, vandalized and cruelly mocked, but it can never be taken away unless it is surrendered.”
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“That was the next-to-last time I felt any desire. And he was pale and tall (how disgusting tall men are, such a waste of space and flesh, so uncompact). (I am hideous myself now. Discovered in new, M.C., mirror that skin is a jungle of pearly stretch marks all over. Face sags too. Always new awful discoveries. If could only vomit up age like the food I relentlessly wolf.)”
― Give Sorrow Words: Maryse Holder's Letters From Mexico
― Give Sorrow Words: Maryse Holder's Letters From Mexico
99 cent Bestsellers
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