Mariya

“The origin of illness may be in the past, but the virulent crisis must be dynamically tackled. I believe in attacking the core of the illness, through its present symptoms, quickly, directly. The past is a labyrinth. One does not have to step into it and move step by step through every turn and twist. The past reveals itself instantly, in today’s fever or abscess of the soul.”
― Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

“What you call your lies are fiction and myths. The art of creating a disguise can be as beautiful as the creation of a painting… I created a woman for my artist life, bold, gay, courageous, generous, fearless; and another to please my father, a clear-sighted woman with a love of beauty, harmony, and self-discipline, critical and selective; and still another who lives in chaos, embraces the weak and the stumbling and the confused.”
― Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

“The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death.”
― Anaïs Nin, The Diary of Anais Nin Volume 1 1931-1934

“the discovery of each other brings a kind of peace, because it brings the certitude that we are right. We are stronger together ... we will have less doubts." This seemed deeply true, yet I wonder if it is good to ally similarities, one agreeing with the other, as twins might, so that this might give an illusion of balance, reassure us about our orientation, or whether we should seek this by contrast with others,”
― Anaïs Nin, The Diary of Anais Nin Volume 1 1931-1934