Trish

“I don't like you, Park," she said, sounding for a second like she actually meant it. "I..." - her voice nearly disappeared - "think I live for you."
He closed his eyes and pressed his head back into his pillow.
"I don't think I even breathe when we're not together," she whispered. "Which means, when I see you on Monday morning, it's been like sixty hours since I've taken a breath. That's probably why I'm so crabby, and why I snap at you. All I do when we're apart is think about you, and all I do when we're together is panic. Because every second feels so important. And because I'm so out of control, I can't help myself. I'm not even mine anymore, I'm yours, and what if you decide that you don't want me? How could you want me like I want you?"
He was quiet. He wanted everything she'd just said to be the last thing he heard. He wanted to fall asleep with 'I want you' in his ears.”
― Rainbow Rowell, Eleanor & Park

“Nothing was dirty. With Park.
Nothing could be shameful.
Because Park was the sun, and that was the only way Eleanor could think to explain it.”
― Rainbow Rowell, Eleanor & Park

“The first time he'd held her hand, it felt so good that it crowded out all the bad things. It felt better than anything had ever hurt.”
― Rainbow Rowell, Eleanor & Park

“It struck me that almost any of the companies I’d heard about would be good fodder for an investigative story. But the thought of methodically gathering facts to disprove their ridiculous promises was exhausting. It reminded me of a maxim called the “bullshit asymmetry principle,” coined by an Italian programmer. He was describing the challenge of debunking falsehoods in the internet age. “The amount of energy needed to refute bullshit is an order of magnitude bigger than to produce it,” the programmer, Alberto Brandolini, wrote in 2013.”
― Zeke Faux, Number Go Up: Inside Crypto's Wild Rise and Staggering Fall