Gabriel

“You are rich. You own. We are poor. We lack. You have. We do not have. Everything is beautiful here, only not the faces. On Anarres nothing is beautiful, nothing but the faces. The other faces. The men and women. We have nothing but that, nothing but each other. Here you see the jewels. There you see the eyes. And in the eyes you see the splendor, the splendor of the human spirit, because our men and women are free possessing nothing. They are free. And you, the possessors are possessed. You are all in jail, each alone, solitary with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes, the wall, the wall.”
― Ursula K. Le Guin, The Dispossessed: An Ambiguous Utopia

“If you are working inwardly, Nature will help you. For the man who is working, Nature is sister of charity; she brings him what he needs for his work. If you need money for your work, even if you do nothing to get it, the money will come to you from all sides.”
― G.I. Gurdjieff

“He clearly sensed the pity and protective compassion of the Alien standing across the dark room. It saw him, not with eyes, as short-lived, fleshly, armorless, a strange creature, infinitely vulnerable, adrift in the gulfs of the possible: something that needed help. He didn't mind. He did need help.”
― Ursula K. Le Guin, The Lathe of Heaven

“My father's attitude was that this was but an inevitable phase of my growing up and he affected to take it lightly. But beneath his jocular, boys-together air, he was at a loss, he was frightened. Perhaps he had supposed that my growing up would bring us closer together— whereas, now that he was trying to find out something about me, I was in full flight from him. I did not want him to know me. I did not want anyone to know me. And then, again, I was undergoing with my father what the very young inevitably undergo with their elders: I was beginning to judge him. And the very harshness of this judgment, which broke my heart, revealed, though I could not have said it then, how much I had loved him, how that love, along with my innocence, was dying.”
― James Baldwin, Giovanni’s Room