“The truth is you already know what it’s like. You already know
the difference between the size and speed of everything that flashes
through you and the tiny inadequate bit of it all you can ever let anyone
know. As though inside you is this enormous room full of what
seems like everything in the whole universe at one time or another and
yet the only parts that get out have to somehow squeeze out through
one of those tiny keyholes you see under the knob in older doors. As if
we are all trying to see each other through these tiny keyholes.
But it does have a knob, the door can open. But not in the way you
think. But what if you could? Think for a second — what if all the infinitely dense and shifting worlds of stuff inside you every moment of your life turned out now to be somehow fully open and expressible afterward,
after what you think of as you has died, because what if afterward
now each moment itself is an infinite sea or span or passage of time in
which to express it or convey it, and you don’t even need any organized
English, you can as they say open the door and be in anyone else’s
room in all your own multiform forms and ideas and facets? Because
listen — we don’t have much time, here’s where Lily Cache slopes
slightly down and the banks start getting steep, and you can just make
out the outlines of the unlit sign for the farmstand that’s never open
anymore, the last sign before the bridge — so listen: What exactly do
you think you are? The millions and trillions of thoughts, memories,
juxtapositions — even crazy ones like this, you’re thinking — that flash
through your head and disappear? Some sum or remainder of these?
Your history? Do you know how long it’s been since I told you I was a
fraud? Do you remember you were looking at the respicem watch
hanging from the rearview and seeing the time, 9:17? What are you looking at right now? Coincidence? What if no time has passed at all?*
The truth is you’ve already heard this. That this is what it’s like. That it’s what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you
a fraud, the tiny fraction anyone else ever sees? Of course you’re a
fraud, of course what people see is never you. And of course you know
this, and of course you try to manage what part they see if you know
it’s only a part. Who wouldn’t? It’s called free will, Sherlock. But at the
same time it’s why it feels so good to break down and cry in front of
others, or to laugh, or speak in tongues, or chant in Bengali — it’s not English anymore, it’s not getting squeezed through any hole.
So cry all you want, I won’t tell anybody.”
―
the difference between the size and speed of everything that flashes
through you and the tiny inadequate bit of it all you can ever let anyone
know. As though inside you is this enormous room full of what
seems like everything in the whole universe at one time or another and
yet the only parts that get out have to somehow squeeze out through
one of those tiny keyholes you see under the knob in older doors. As if
we are all trying to see each other through these tiny keyholes.
But it does have a knob, the door can open. But not in the way you
think. But what if you could? Think for a second — what if all the infinitely dense and shifting worlds of stuff inside you every moment of your life turned out now to be somehow fully open and expressible afterward,
after what you think of as you has died, because what if afterward
now each moment itself is an infinite sea or span or passage of time in
which to express it or convey it, and you don’t even need any organized
English, you can as they say open the door and be in anyone else’s
room in all your own multiform forms and ideas and facets? Because
listen — we don’t have much time, here’s where Lily Cache slopes
slightly down and the banks start getting steep, and you can just make
out the outlines of the unlit sign for the farmstand that’s never open
anymore, the last sign before the bridge — so listen: What exactly do
you think you are? The millions and trillions of thoughts, memories,
juxtapositions — even crazy ones like this, you’re thinking — that flash
through your head and disappear? Some sum or remainder of these?
Your history? Do you know how long it’s been since I told you I was a
fraud? Do you remember you were looking at the respicem watch
hanging from the rearview and seeing the time, 9:17? What are you looking at right now? Coincidence? What if no time has passed at all?*
The truth is you’ve already heard this. That this is what it’s like. That it’s what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you
a fraud, the tiny fraction anyone else ever sees? Of course you’re a
fraud, of course what people see is never you. And of course you know
this, and of course you try to manage what part they see if you know
it’s only a part. Who wouldn’t? It’s called free will, Sherlock. But at the
same time it’s why it feels so good to break down and cry in front of
others, or to laugh, or speak in tongues, or chant in Bengali — it’s not English anymore, it’s not getting squeezed through any hole.
So cry all you want, I won’t tell anybody.”
―
“If you are bored and disgusted by politics and don't bother to vote, you are in effect voting for the entrenched Establishments of the two major parties, who please rest assured are not dumb, and who are keenly aware that it is in their interests to keep you disgusted and bored and cynical and to give you every possible psychological reason to stay at home doing one-hitters and watching MTV on primary day. By all means stay home if you want, but don't bullshit yourself that you're not voting. In reality, there is no such thing as not voting: you either vote by voting, or you vote by staying home and tacitly doubling the value of some Diehard's vote.”
― Consider the Lobster and Other Essays
― Consider the Lobster and Other Essays
“Learning how to think' really means learning how to exercise some control over how & what you think. It means being conscious & aware enough to choose what you pay attention to & to choose how you construct meaning from experience.”
― This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life
― This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life
“I go through a loop in which I notice all the ways I am — for just an example — self-centered and careerist and not true to standards and values that transcend my own petty interests, and feel like I’m not one of the good ones; but then I countenance the fact that here at least here I am worrying about it, noticing all the ways I fall short of integrity, and I imagine that maybe people without any integrity at all don’t notice or worry about it; so then I feel better about myself (I mean, at least this stuff is on my mind, at least I’m dissatisfied with my level of integrity and commitment); but this soon becomes a vehicle for feeling superior to (imagined) Others…. It has to do with God and gods and a basic sense of trust in the universe v. fear that the universe must be held at bay and micromanaged into giving me some smidgeon of some gratification I feel I simply can’t live without. It’s all very confusing. I think I’m very honest and candid, but I’m also proud of how honest and candid I am — so where does that put me.”
―
―
“Even the novice alone can see quickly that a life conducted, temporarily or no, as a simple renunciation of value becomes at best something occluded and at worst something empty: a life of waiting for the will-be-never. Sitting in passive acceptance of (not judgment on) the happening and ending of things.”
― Girl With Curious Hair
― Girl With Curious Hair
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