Josh Dempsey

“All that matters is that you are making something you love, to the best of your ability, here and now.”
― Rick Rubin, The Creative Act: A Way of Being

“Jim Adkins: ...There was a girl who wrote us, explaining how she felt like an outsider at her school because the punk rock kids wouldn't accept her, even though she liked us and a lot of the really obscure bands we toured with. And I just thought 'It's not worth your time to trip on this. Punk rock is and should be inclusive. That's the one thing I know. No matter what your definition of punk is, everyone would say that it's inclusive, it welcomes outsiders. Freak flags welcome. Wave 'em around. These chicks don't get it at all, don't waste your time trying to get their approval.' That's where the main idea for the lyrics to 'The Middle' came from.”
― Chris Payne, Where Are Your Boys Tonight?: The Oral History of Emo’s Mainstream Explosion 1999-2008

“Andy Greenwald: It felt like a rubber band: How far could you stretch this music, which was predicated on a very intimate connection between performer and audience? Could you stretch it around the whole country? Could you stretch it around the whole world without something essential snapping? What happens when subculture goes mainstream?”
― Chris Payne, Where Are Your Boys Tonight?: The Oral History of Emo’s Mainstream Explosion 1999-2008

“Buddy Nielsen: One reason I think 2000s emo got so big was because it was kind of inappropriate to have party music as the background to two wars and probably the deadliest terrorist attack in American history. The response was music that captured the energy of the youth, which was this fucked-up world we're living in . . . In 2008, there's a generation of kids that may not remember 9/11 in the same way, and it switches to a different style of music that reflects the zeitgeist. It's just what happens with popular music.”
― Chris Payne, Where Are Your Boys Tonight?: The Oral History of Emo’s Mainstream Explosion 1999-2008