Jakub

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Garth Risk Hallberg
“Once or twice, at night, he planted himself in front of the type-writer, trying to get back to the book he'd come to New York to write. It was supposed to be about America, and freedom, and the kinship of time to pain, but in order to write about these things, he'd needed experience. Well, be careful what you wish for. For now all he seemed capable of producing was a string of sentences starting, Here was William. Here was William's courage, for example. And here was William's sadness, smallness of stature, size of hands. Here was his laugh in a dark movie theater, his unpunk love of the films of Woody Allen, not for any of the obvious ways they flattered his sensibility, but for something he called their tragic sense, which he compared to Chekhov's (whom Mercer knew he had not read). Here was the way he never asked Mercer about his work; the way he never talked about his own and yet seemed to carry it with him just beneath the skin; the way his skin looked in the sodium light from outside with the light off, with clothes off, in silver rain; the way he embodied qualities Mercer wanted to have, but without ruining them by wanting to have them; the way his genius overflowed its vessel, running off into the drain; the unfinished self-portrait; the hint of some trauma in his past, like the war a shell-shocked town never talks about; his terrible taste in friends; his complete lack of discipline; the inborn incapacity for certain basic things that made you want to mother him, fuck him, give your right and left arms for him, this man-child, this skinny American; and finally his wildness, his refusal to be imaginable by anyone.”
Garth Risk Hallberg, City on Fire

Liu Cixin
“No, emptiness is not nothingness. Emptiness is a type of existence. You must use this existential emptiness to fill yourself.”
Liu Cixin, The Three-Body Problem

Haruki Murakami
“Aomame raised her glass to the moon and asked,
“Have you gone to bed with someone in your arms lately?”
The moon did not answer.
“Do you have any friends?” she asked.
The moon did not answer.
“Don’t you get tired of always playing it cool?”
The moon did not answer.”
Haruki Murakami, 1Q84 Book 1

Jun'ichirō Tanizaki
“Were it not for shadows, there would be no beauty.”
Jun'ichirō Tanizaki, In Praise of Shadows

Haruki Murakami
“It was just the same old familiar moon. The one and only satellite that has faithfully circled the earth, at the same speed, from before human memory.”
Haruki Murakami, 1Q84: Book 3

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