Sherouk Soliman

“No. No!” he says.
“I . . .” He looks wildly around the room. For inspiration? For divine intervention? I don’t know.

“You can’t go. Ana, I love you!”
“I love you, too, Christian, it’s just—”
“No . . . no!” he says in desperation and puts both hands on his head. “Christian . . .”
“No,” he breathes, his eyes wide with panic, and suddenly he drops to his knees in front of me, head bowed, long-fingered hands spread out on his thighs. He takes a deep breath and doesn’t move. What?
“Christian, what are you doing?”
He continues to stare down, not looking at me.
“Christian! What are you doing?”
My voice is high-pitched. He doesn’t move.
“Christian, look at me!” I command in panic. His head sweeps up without hesitation, and he regards me passively with his cool gray gaze—he’s almost serene . . . expectant.
Holy Fuck . . . Christian. The submissive.”
― E.L. James, Fifty Shades Darker

“You love me,” I whisper.
His eyes widen further and his mouth opens. He takes a huge breath as if winded. He looks tortured—vulnerable.
“Yes,” he whispers. “I do.”
― E.L. James, Fifty Shades Darker

“I'm anything but fine. I feel like the sun has set and not risen for five days, Ana. I'm in perpetual night here".”
― E.L. James, Fifty Shades Darker

“This is me, Ana. All of me...and I'm all yours. What do I have to do to make you realize that? To make you see that I want you any way I can get you. That I love you.”
― E.L. James, Fifty Shades Darker