“I can explain myself: If you want to be safe, walk in the middle of the street. I’m not joking. You’ve been told to look both ways before crossing the street, and the sidewalk is your friend, right? Wrong. I’ve spent years walking sidewalks at night. I’ve looked around me when it was dark, when there were men following me, creeping out of alleyways, attempting to goad me into speaking to them and shouting obscenities at me when I wouldn’t, and I suddenly realised that the only place left to go was the middle of street. But why would I risk it? Because the odds are in my favour. In the States, someone is killed in a car accident on average every 12.5 minutes, while someone is raped on average every 2.5 minutes. Even when factoring in that, one, I am generously including ALL car-related accidents and not just those involving accidents, and two, that the vast majorities of rapes still go unreported […] And, thus, this is now the way I live my life: out in the open, in the middle of everything, because the middle of the street is actually the safest place to walk.”
― The Asylum for Wayward Victorian Girls
― The Asylum for Wayward Victorian Girls
“Relly fired off the opening riff. Butt laid down the beat, old doom and new joy mixed together. "I wait till I, like fire, shall rise," Jerod sang. And then again, louder, wailing sure and true.
I was the last one to join in. I had a bass line all wroked out, of course. I'd been waiting weeks for this momment. My fingers colosed on the strings, pressed them hard to the frets. Butt and Relly were locked in, repeating the four-bar intro. Louder and louder, fierce as a war cry.
"Ok," I whispered into the pounding noise.
I joined in, doubling Relly at first, then splitting off to coil our riffs together. It was great, it was huge, it was endless. The song rose, churning and sucking everything in like a cyclone.
"The will my voice in great goodbyes," Jerod screamed from the speakers. "Join to the chorus of the skies."
Silence was inside me, riding the Ghost Metal tornado. Right at the center, at the heart of the song.
I didn't need a voice. I had a bass. I didn't need to hear myself talk or sing. Jerod could make the words for me.
Or maybe it was Silence herself, pouring out through the PA system. Either way, any way, They were my words. And all the world would hear them.”
― Beautiful City of the Dead
I was the last one to join in. I had a bass line all wroked out, of course. I'd been waiting weeks for this momment. My fingers colosed on the strings, pressed them hard to the frets. Butt and Relly were locked in, repeating the four-bar intro. Louder and louder, fierce as a war cry.
"Ok," I whispered into the pounding noise.
I joined in, doubling Relly at first, then splitting off to coil our riffs together. It was great, it was huge, it was endless. The song rose, churning and sucking everything in like a cyclone.
"The will my voice in great goodbyes," Jerod screamed from the speakers. "Join to the chorus of the skies."
Silence was inside me, riding the Ghost Metal tornado. Right at the center, at the heart of the song.
I didn't need a voice. I had a bass. I didn't need to hear myself talk or sing. Jerod could make the words for me.
Or maybe it was Silence herself, pouring out through the PA system. Either way, any way, They were my words. And all the world would hear them.”
― Beautiful City of the Dead
“Thank you.
It used to be knee length, but then I discovered that when I get angry I like to cut things.
I'm not allowed to have scissors any more.
It's still pretty lengthy, but I've been threatening to shave half of it for the past week and nobody seems to believe me...
I do it all myself though because I scream when I'm touched and that scares people.”
―
It used to be knee length, but then I discovered that when I get angry I like to cut things.
I'm not allowed to have scissors any more.
It's still pretty lengthy, but I've been threatening to shave half of it for the past week and nobody seems to believe me...
I do it all myself though because I scream when I'm touched and that scares people.”
―
“He pointed to Butt, behind his drum set. "There he is. Don't smell so good and can't hardly talk. But he can drub those drums better than the best... and this is Mr. Jerod Powers, the Golden Boy.”
― Beautiful City of the Dead
― Beautiful City of the Dead
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