Jay Sokhi

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Louise Bogan
“Song for the Last Act

Now that I have your face by heart, I look

Less at its features than its darkening frame

Where quince and melon, yellow as young flame,

Lie with quilled dahlias and the shepherd's crook.

Beyond, a garden. There, in insolent ease

The lead and marble figures watch the show

Of yet another summer loath to go

Although the scythes hang in the apple trees.


Now that I have your face by heart, I look.


Now that I have your voice by heart, I read

In the black chords upon a dulling page

Music that is not meant for music's cage,

Whose emblems mix with words that shake and bleed.

The staves are shuttled over with a stark

Unprinted silence. In a double dream

I must spell out the storm, the running stream.

The beat's too swift. The notes shift in the dark.


Now that I have your voice by heart, I read.


Now that I have your heart by heart, I see

The wharves with their great ships and architraves;

The rigging and the cargo and the slaves

On a strange beach under a broken sky.

O not departure, but a voyage done!

The bales stand on the stone; the anchor weeps

Its red rust downward, and the long vine creeps

Beside the salt herb, in the lengthening sun.


Now that I have your heart by heart, I see.”
Louise Bogan, The Blue Estuaries

Louise Bogan
“I'll lie here and learn
How, over their ground,
Trees make a long shadow
And a light sound.”
Louise Bogan
tags: poetry

Louise Bogan
“Night"

The cold remote islands
And the blue estuaries
Where what breathes, breathes
The restless wind of the inlets,
And what drinks, drinks
The incoming tide;

Where shell and weed
Wait upon the salt wash of the sea,
And the clear nights of stars
Swing their lights westward
To set behind the land;

Where the pulse clinging to the rocks
Renews itself forever;
Where, again on cloudless nights,
The water reflects
The firmament’s partial setting;

—O remember
In your narrowing dark hours
That more things move
Than blood in the heart.”
Louise Bogan, The Blue Estuaries

Louise Bogan
“But childhood prolonged, cannot remain a fairyland.
It becomes a hell.”
Louise Bogan

Louise Bogan
“The Initial Mystery that attends any journey is: how did the traveler reach his starting point in the first place?”
Louise Bogan, Journey Around My Room: The Autobiography of Louise Bogan

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