Shelly

“Or maybe I’m not a monster at all; maybe I’m just the result of a life of work, another human being maintaining the status quo out of pure laziness, and now I appropriate other people’s ideas the way older people used to appropriate mine. Maybe I’m just another stagnant adult who’s lost the energy to change things. Something that, come to think of it, might make me the worst sort of monster.”
― Beatriz Serrano, El descontento

“I don’t know where they get all that rage, that competitiveness, that way of seeing and dividing the world into winners and losers. I find it strange how some men use war and sports terminology when they’ve never been in a war and haven’t kicked a ball since high school. Preparing for battle, winning the war, destroying the enemy. How can they see themselves as soldiers and warriors when they’re inside apartments filled with gray IKEA furniture with greasy paper bags from Just Eat piling up in their dirty kitchens? How are they capable of dissociating between the little men they are and the great men they were promised they would become? I think about whether they’re loved by someone, who that could be, and in what way. Who would be the woman—because they’re always women—to make herself smaller so that a man can continue seeing himself as big? Big like Alexander the Great, like Julius Caesar, like Christopher Columbus. Big like all those glorious epics they’ve been imbibing since their earliest infancy. I think about how those men are capable of fooling themselves, but, most of all, how they manage to get the world to sustain that deception. I think about whether at night, right before going to sleep, they feel like impostors or if they’ve swallowed their own lie and sleep like babies. No one talks back to them, no one contradicts them, no one tells them to shut up. No one says that “step up or step aside” is a total crock of shit. And so, it’s almost normal that those men think of themselves as warriors, because by molding the world to their delusions of grandeur, they’ve already won their own battle.”
― Beatriz Serrano, El descontento

“I’ve been doing the same thing for eight years, and I know it doesn’t help anyone. I know the world would be a better place if jobs like mine didn’t exist. I know I take advantage of people’s insecurities and their desire to thrive in a society where no one can improve. And I know this because even I, after an eight-hour day full of elevator conversations that drive me to low-stakes suicidal ideation (like stapling my hand to get out of a meeting that makes me understand the true meaning of the word “infinite,” or pouring boiling water from the office kettle onto myself so I can spend five to ten days at home with my feet up), still believe that the solution to all my problems will be a floral Zara dress made in Bangladesh that has followed me on every website I’ve visited today, and that, in all certainty, will be worn by millions of women on the street next season. I still believe that dress will turn me into a different woman, a happy, carefree, springtime version of myself. I know that when you buy something, what you’re paying for is the promise of a better life. I know I’m also taking advantage of and accepting money from mediocre clients who think the greatest act of creativity is your smell, of leaving an impression, of not being a gray, boring person who spends two hours of their life every day getting to and from work. I sell the possibility that today, yes, today, with the help of that floral perfume, something extraordinary will happen to you. I’m not selling the umpteenth vacuum cleaner that no one needs; I’m selling the idea of having a nice, clean house, of being able to take a photo of that cute little corner you decorated Pinterest-style, uploading it on Instagram, and getting a lot of likes. Then I pitch a creative idea that’s like all the other creative ideas, the ones that came before and the ones that will come afterward. The lipstick effect. The smell of memories. Your dream house. They buy my idea, they pay us, I get congratulated, and we start all over again.”
― Beatriz Serrano, El descontento

“What neither that doctor nor the therapist understood was that the stress was caused not by what I did at my job but, as I’d tried to explain to him, by having to go to work. Spending eight hours from Monday to Friday on alienating and unsatisfying tasks, surrounded by people with whom I was forced to have futile and boring conversations full of absurd platitudes about mortgages or parking spaces or the words their children said wrong or the last series they’d watched on Netflix. All that time I was giving to others instead of staying at home reading or drawing or simply looking at the ceiling, half naked, observing the cracks. I couldn’t stand the idea of being forced to live that office pantomime in perpetuity just to pay for things like rent or food or a book or a weekend at the beach. I broke down every morning when the alarm beeped because life, lived this way, seemed like a badly written tragedy, boring and sterile, devoid of fun and, even worse, devoid of content, and so, on my way to work, I felt like grabbing strangers by the shoulders and asking them why they weren’t feeling like me. What was their secret, how did they manage to maintain their composure, why didn’t they cry every time their alarms beeped?”
― Beatriz Serrano, El descontento