Michael Adam-Smith

“Their dancing was simple and expert and reminded her of something one of her art teachers told her about bad artists taking something simple and making it seem complicated while good artists took something very complex and made it seem simple. The couple was an illustration of this rule; the dance seemed barely to qualify for the term--in essence they seemed merely to be walking, slowly in lockstep. They would stop occasionally, the woman led into a simple ocho and then resume their slow, meditative procession. They seemed, to Rosalind's untrained eye, to be under a spell.”
― Jennifer Vandever, American Tango