

“Listen. The world doesn't need any more babies. What is needs are women who don't spend all their time beating themselves up over shit they don't control.”
― American Tango
― American Tango

“After she packed her few bags into the back of her car and hugged him, Rosalind never saw him again. After a few weeks it was like she'd never known him at all, like summer friendships she'd strike up as a child when the family stayed a few weeks at the beach or another city. The friendship was site specific. She couldn't miss it any more than she'd miss the Eiffel Tower in her backyard. It was where it belonged, somewhere in the past.”
― American Tango
― American Tango

“Richard and I always called you the punisher. We never had to discipline you. Not like we did Hermione or Polly. Because you were so hard on yourself. If there's anything I want for you now, as a mother, even if I don't 'deserve' it is: I want you to be gentle. I want you to have compassion. For yourself and everyone. It's what every parent wants. If their any good. Which maybe I wasn't...”
― American Tango
― American Tango

“Rosalind knew she was right, knew there was something even deeper that prevented her from going back. Since she began something had always bothered her about tango: she still had no idea how people knew what the hell they were doing. The dance had no agreed upon formula, no designated rules, just collectively shared sequences that a leader could use interchangeably. It was a conversation, not a speech. This was what was so allegedly wonderful about it: it was an improvisation, a negotiation between two people. No choreography, no predetermined pattern, just endless unpredictable new formations. One couldn't dominate the other. It was--if not historically, at least ideally--a dance of equals. This struck her a lovely in principle and crazy-making in practice. How do you know what to do? "The man will lead you," her teachers told her. What if his lead doesn't make sense? "It will. Practice," Mariela had instructed brightly, unhelpfully.”
― American Tango
― American Tango

“The woman danced with an economy of motion Rosalind had noted among the very talented. There was always something self-contained about the better dancers; they held something in reserve, a restraint formed mysteriously by something they'd given up opposing. This surrender made the dancers beautiful. Rosalind had noticed it from the first, the way that skill reordered things; skill altered the economy of beauty so that this woman with a face like an old spoon would be the one men wanted to dance with all night. The dance and her skill made her desirable. She moved with a calm dignity as though it never occurred to her that someone wouldn't want to dance with her.”
― American Tango
― American Tango
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