Talo
https://www.goodreads.com/moltenmoonlight
“The best conversations are with yourself. At least there's no risk of a misunderstanding.”
― Drive Your Plow Over the Bones of the Dead
― Drive Your Plow Over the Bones of the Dead
“But why should we have to be useful and for what reason? Who divided the world into useless and useful, and by what right? Does a thistle have no right to life, or a Mouse that eats the grain in a warehouse? What about Bees and Drones, weeds and roses? Whose intellect can have had the audacity to judge who is better, and who worse? A large tree, crooked and full of holes, survives for centuries without being cut down, because nothing could possibly be made out of it. This example should raise the spirits of people like us. Everyone knows the profit to be reaped from the useful, but nobody knows the benefit to be gained from the useless.”
― Drive Your Plow Over the Bones of the Dead
― Drive Your Plow Over the Bones of the Dead
“In the mist, in the darkness of the forest, in the dewdrops on the spruce needles. In the whales that swam in the sea, in the heart beating in my breast. Mist, heart, blood, trees. Why were they so appealing? What was it that enticed me with such power? That filled me with such enormous desire? Mist, heart, blood, trees. Oh, if only I could write about them, no, not write about them but make my writing be them, then I would be happy. Then I would have peace of mind.”
― Min kamp 5
― Min kamp 5
“You know what, sometimes it seems to me we're living in a world that we fabricate for ourselves. We decide what's good and what isn't, we draw maps of meanings for ourselves... And then we spend our whole lives struggling with what we have invented for ourselves. The problem is that each of us has our own version of it, so people find it hard to understand each other.”
― Drive Your Plow Over the Bones of the Dead
― Drive Your Plow Over the Bones of the Dead
“Basically I agree with the view that writing novels is an unhealthy type of work. When we set off to write a novel, when we use writing to create a story, like it or not a kind of toxin that lies deep down in all humanity rises to the surface. All writers have come face-to-face with this toxin and, aware of the danger involved, discover a way to deal with it, because otherwise no creative activity in the real sense can take place. (Please excuse this strange analogy: with a fungi fish, the tastiest part is the portion near the poison - this might be something similar to what I’m getting at).”
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