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“Poets and children," said Sylvan. "We are the same really. When you can't find a poet, find a child. Remember that.”
― The Poet's Dog
― The Poet's Dog
“I also knew you wouldn't remember this trip, because you're only five years old, and our pediatrician had told us that children don't starting building memories of things until after they turn six. When I realized that, that I was ten and you were only five, I thought, fuck. But of course I didn't say so out loud. I just thought, fuck, silently, to myself. I realized that I'd remember everything and you maybe wouldn't remember anything. I needed to find a way to help you remember, even if it was only through things I documented for you, for the future. And that's how I became a documentarist and a documentarian at the same time. (p 213)”
― Lost Children Archive
― Lost Children Archive
“Suppose you and Pa were gone, and we were lost. Suppose we were inside of Lord of the Flies What would happen then?
I wonder what my sister, who understand books better than life, would say if she were confronted with a question like this one. She's so good at explaining books and their meanings, beyond the obvious. Maybe she'd say that all those books and stories devoted to adult-less children – books like Peter Pan, The Adventures of Huckleberry Finn, that short story by García Márquez, "Light is Like Water," and of course Lord of the Flies – are nothing but desperate attempts by adults to come to terms with childhood. That although they may seem to be stories about children's worlds – worlds without adults – they are in fact stories about children's worlds – worlds without adults – they are in fact stores about an adult's world when there are children in it, about the way that children's imaginations destabilize our adult sense of reality and force us to question the very grounds of that reality. The more time one spends surrounded by children, disconnected by other adults, the more their imaginations leak through the cracks of our own fragile structures.”
― Lost Children Archive
I wonder what my sister, who understand books better than life, would say if she were confronted with a question like this one. She's so good at explaining books and their meanings, beyond the obvious. Maybe she'd say that all those books and stories devoted to adult-less children – books like Peter Pan, The Adventures of Huckleberry Finn, that short story by García Márquez, "Light is Like Water," and of course Lord of the Flies – are nothing but desperate attempts by adults to come to terms with childhood. That although they may seem to be stories about children's worlds – worlds without adults – they are in fact stories about children's worlds – worlds without adults – they are in fact stores about an adult's world when there are children in it, about the way that children's imaginations destabilize our adult sense of reality and force us to question the very grounds of that reality. The more time one spends surrounded by children, disconnected by other adults, the more their imaginations leak through the cracks of our own fragile structures.”
― Lost Children Archive
“And then swooping back in again, even faster, one long incredible fall through the human-shape of me and this time down past where I don't know how to go any smaller and I find myself somehow looping around to out-past-too-big again; so that everything seems to fit inside the smallest place in me and vice versa. And then for a while I'm not sure if I am inside the universe or the universe is inside me. The only thing that seems for sure is that somewhere in all the dancing around of whatever it is that dances, there's a human-shape of me, with either everything inside of it or it is inside of everything, or somehow - don't ask me how - both at the same time.”
― Felix Yz
― Felix Yz
“And right then, I come the closest I think I ever will to understanding why Knight left. He left because the world is not made to accommodate people like him. He was never happy in his youth -- not in high school, not with a job, not being around other people. It made him feel constantly nervous. There was no place for him, and instead of suffering further, he escaped. It wasn't so much a protest as a quest; he was like a refugee from the human race. The forest offered him shelter (p 182)”
― The Stranger in the Woods: The Extraordinary Story of the Last True Hermit
― The Stranger in the Woods: The Extraordinary Story of the Last True Hermit
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