Jana Everett

“He knew it was a paramount failure of friendship to disappear into a relationship, but to be in his friends' company now felt like stepping back into the aimlessness that had characterized his life before Aneeka came along and became both focus and direction.”
― Kamila Shamsie, Home Fire

“Back home, Connell’s shyness never seemed like much of an obstacle to his social life, because everyone knew who he was already, and there was never any need to introduce himself or create impressions about his personality. If anything, his personality seemed like something external to himself, managed by the opinions of others, rather than anything he individually did or produced. Now he has a sense of invisibility, nothingness, with no reputation to recommend him to anyone.”
― Sally Rooney, Normal People

“Yale said, “l used to worry about Reagan pressing the button, you know? And asteroids, all that. And then I had this realization. If you had to choose when, in the timeline of the earth, you got to live—wouldn’t you choose the end? You haven’t missed anything, then. You die in 1920 you miss rock and roll. You die in 1600, you miss Mozart. Right? I mean the horrors pile up, too, but no one wants to die before the end of the story.”
― Rebecca Makkai, The Great Believers

“Idyllic is how Kundera describes human relationships with animals. Idyllic because animals were not expelled with us from Paradise. There they remain, untroubled by such complications as the separation of body and soul, and it's through our love and friendship with them that we are able to reconnect to Paradise, albeit by just a thread.”
― Sigrid Nunez, The Friend