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F. Scott Fitzgerald
“A stout, middle-aged man, with enormous owl-eyed spectacles, was sitting somewhat drunk on the edge of a great table, staring with unsteady concentration at the shelves of books. As we entered he wheeled excitedly around and examined Jordan from head to foot.
“What do you think?” he demanded impetuously.
“About what?”
He waved his hand toward the book-shelves.
“About that. As a matter of fact you needn’t bother to ascertain. I ascertained. They’re real.”
“The books?”
He nodded.
“Absolutely real — have pages and everything. I thought they’d be a nice durable cardboard. Matter of fact, they’re absolutely real. Pages and — Here! Lemme show you.”
Taking our scepticism for granted, he rushed to the bookcases and returned with Volume One of the “Stoddard Lectures.”
“See!” he cried triumphantly. “It’s a bona-fide piece of printed matter. It fooled me. This fella’s a regular Belasco. It’s a triumph. What thoroughness! What realism! Knew when to stop, too — didn’t cut the pages. But what do you want? What do you expect?”
F. Scott Fitzgerald, The Great Gatsby

Jean Cocteau
“When we awake it is the animal, the plant, that thinks in us. Primitive thought without the least disguise. We see a terrible universe, because we see clearly. A little later, intelligence introduces its impeding contrivances. It brings the little toys which man invents in order to hide the void. It is then that we think we are seeing clearly. We attribute our uneasiness to the miasmas of the brain as it passes from dream to reality.”
Jean Cocteau

Haruki Murakami
“Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a come losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful – as painful as actually being cut with a knife.”
Haruki Murakami, 1Q84

Daphne du Maurier
“She stared at me curiously. Her voice dropped to a whisper. "Sometimes, when I walk along the corridor here, I fancy I hear her just behind me. That quick, light footstep. I could not mistake it anywhere. And in the minstrels' gallery above the hall. I've seen her leaning there, in the evenings in the old days, looking down at the hall below and calling to the dogs. I can fancy her there now from time to time. It's almost as though I catch the sound of her dress sweeping the stairs as she comes down to dinner." She paused. She went on looking at me, watching my eyes. "Do you think she can see us, talking to one another now?" she said slowly. "Do you think the dead come back and watch the living?”
Daphne du Maurier, Rebecca

Haruki Murakami
“I always say—a prejudice on my part, I'm sure—you can tell a lot about a person's character from his choice of sofa. Sofas constitute a realm inviolate unto themselves.
This, however, is something that only those who have grown up sitting on good sofas will appreciate. It's like growing up reading good books or listening to good music. One good sofa breeds another good sofa; one bad sofa breeds another bad sofa. That's how it goes.
There are people who drive luxury cars, but have only second- or third-rate sofas in their homes. I put little trust in such people. An expensive automobile may well be worth its price, but it's only an expensive automobile. If you have the money, you can buy it, anyone can buy it. Procuring a good sofa, on the other hand, requires style and experience and philosophy. It takes money, yes, but you also need a vision of the superior sofa. That sofa among sofas.”
Haruki Murakami, Hard-Boiled Wonderland and the End of the World

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