Sage

“Doris Wales was a woman with straw-blond hair whose body appeared to have been dipped in corn oil; then she must have put her dress on, wet. The dress grabbed at all her parts, and plunged and sagged over the gaps in her body; a lover’s line of hickeys, or love bites – ‘love-sucks,’ Franny called them – dotted Doris’s chest and throat like a violent rash; the welts were like wounds from a whip. She wore plum-covered lipstick, some of which was on her teeth, and she said, to Sabrina Jones and me, ‘You want hot-dancin’ music, or slow-neckin’ music? Or both?’
‘Both,’ said Sabrina Jones, without missing a beat, but I felt certain that if the world would stop indulging wars and famines and other perils, it would still be possible for human beings to embarrass each other to death. Our self-destruction might take a little longer that way, but I believe it would be no less complete.”
― John Irving, The Hotel New Hampshire

“He gives me a kiss that barely touches my lips – it means nothing or everything.
After he’s gone, I think, Happy birthday to me.
Jack says, ‘That was the guy?’
‘That was him.’
Jake shakes his head.
‘What?’
‘He’s not for you,’ he says.
I say, ‘How do you know?’ but what I mean is, How do you know?
‘He’s like Ashley Wilkes,’ he says. ‘Any one of these guys is Rhett-ier than he is.’
Again, I ask my benignly inflected, ‘How do you know?’
‘How do I know?’ he says, tackling me into a bear hug. ‘How do I know? I know, that’s how I know.”
― Melissa Bank, The Wonder Spot

“A minute later, the young Turk and Howard parted on frosty terms, not much warmed by Howard’s twenty-pence tip, the only extra change he had in his pocket. It is on journeys like this – where one is so horribly misunderstood – that you find yourself longing for home, that place where you are entirely understood, for better or for worse.”
― Zadie Smith, On Beauty

“There are two different kinds of glee club in this world. The first sing barbershop favourites and Gershwin tunes, they swing gently, moving from side to side and sometimes clicking their fingers and winking. Howard could basically deal with that type. He had got through those occasions graced by glee clubs of that type. But these boys were not of that type. Swaying and clicking and winking were just how they got warmed up. Tonight this glee club had chosen as their opener ‘Pride (In the Name of Love)’ by U2, which they had taken the trouble to transform into a samba. They swayed, they clicked, they winked. They did coordinated spins. They switched places with each other. They moved forward, they moved back – always retaining their formation. They smiled the kind of smile you might employ when trying to convince a lunatic to quit holding a gun to your mother’s head.”
― Zadie Smith, On Beauty