Pallavi Mudhoo

“Kitsch causes two tears to flow in quick succession. The first tear says: How nice to see children running on the grass!

The second tear says: How nice to be moved, together with all mankind, by children running on the grass!”
― Milan Kundera, The Unbearable Lightness of Being

“When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash.

And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder.

When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes.

When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby."

And yet, for someone who's apparently done this already, I still haven't figured anything out yet.

My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth.

But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed.

My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible.

And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection.

There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth.

When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all.

So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in.

This isn't my first time here. This isn't my last time here. These aren't the last words I'll share.

But just in case, I'm trying my hardest to get it right this time around.”
― Sarah Kay

“Your voice sounds like a midnight fire. All warm and worn in and golden. I could listen to you talk forever."
"I could never do that".
She laughed at him. He brought his lips to her ear.
"Your scent is like violets early in spring," he whispered. Then he laughed at himself because though it was true, he sounded like the worst kind of fool.”
― Veronica Rossi, Under the Never Sky

“By now you will not be surprised to learn that Gaston Bachelard had a few things to say about the element of air. In a book called "Air and Dreams". he points out that we categorize many of our emotions by their relative weight; they make us feel heavier or lighter. Perhaps because uprightness is the human quality, we imagine human emotions arranged on a vertical scale from ground to sky. So sadness is weighed down and earthbound. joy is aerial, and the sensation of freedom defies the bonds of gravity. "Air," Bachelard writes, "is the very substance of our freedom, the substance of superhuman joy." Elation, effervescence, elevation, levity, inspiration: air words all, alveolated with vowels, leavening the dough of everyday life.”
― Michael Pollan, Cooked: A Natural History of Transformation