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“We are but skin about a wind, with muscles clenched against mortality. We sleep in a long reproachful dust against ourselves. We are full to the gorge with our own names for misery. Life, the pastures in which the night feeds and prunes the cud that nourishes us to despair. Life, the permission to know death. We were created that the earth might be made sensible of her inhuman taste; and love that the body might be so dear that even the earth should roar with it. Yes, we who are full to the gorge with misery should look well around, doubting everything seen, done, spoken, precisely because we have a word for it, and not its alchemy.”
― Nightwood
― Nightwood
“Promise me you will not spend so much time treading water and trying to keep your head above the waves that you forget, truly forget, how much you have always loved to swim.”
―
―
“Some days I wake up
and all I feel
are the fractures
in the flesh
that covers
the only me
I've ever known.
Some days,
it's those exact
fissures
that let the light
hiding inside me
pour out
and cover
in gold
everyone
that found enough beauty
in the cracks
to stand
close.”
―
and all I feel
are the fractures
in the flesh
that covers
the only me
I've ever known.
Some days,
it's those exact
fissures
that let the light
hiding inside me
pour out
and cover
in gold
everyone
that found enough beauty
in the cracks
to stand
close.”
―
“The world is a cancer eating itself away... I am think that when the great silence descends upon all and everywhere music will at last triumph. When into the womb of time everything is again withdrawn chaos will be restored and chaos is the score upon which reality is written.”
― Tropic of Cancer
― Tropic of Cancer
“Dead Butterfly
By Ellen Bass
For months my daughter carried
a dead monarch in a quart mason jar.
To and from school in her backpack,
to her only friend’s house. At the dinner table
it sat like a guest alongside the pot roast.
She took it to bed, propped by her pillow.
Was it the year her brother was born?
Was this her own too-fragile baby
that had lived—so briefly—in its glassed world?
Or the year she refused to go to her father’s house?
Was this the holding-her-breath girl she became there?
This plump child in her rolled-down socks
I sometimes wanted to haul back inside me
and carry safe again. What was her fierce
commitment? I never understood.
We just lived with the dead winged thing
as part of her, as part of us,
weightless in its heavy jar.”
―
By Ellen Bass
For months my daughter carried
a dead monarch in a quart mason jar.
To and from school in her backpack,
to her only friend’s house. At the dinner table
it sat like a guest alongside the pot roast.
She took it to bed, propped by her pillow.
Was it the year her brother was born?
Was this her own too-fragile baby
that had lived—so briefly—in its glassed world?
Or the year she refused to go to her father’s house?
Was this the holding-her-breath girl she became there?
This plump child in her rolled-down socks
I sometimes wanted to haul back inside me
and carry safe again. What was her fierce
commitment? I never understood.
We just lived with the dead winged thing
as part of her, as part of us,
weightless in its heavy jar.”
―
Caitlin’s 2025 Year in Books
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