“In 1959 Florence Green occasionally passed a night when she was not absolutely sure whether she had slept or not. This was because of her worries as to whether to purchase a small property, the Old House, with its own warehouse on the foreshore, and to open the only bookshop in Hardborough. The uncertainty probably kept her awake. She had once seen a heron flying across the estuary and trying, while it was on the wing, to swallow an eel which it had caught. The eel, in turn, was struggling to escape from the gullet of the heron and appeared a quarter, a half, or occasionally three-quarters of the way out. The indecision expressed by both creatures was pitiable. They had taken on too much. Florence felt that if she hadn’t slept at all—and people often say this when they mean nothing of the kind—she must have been kept awake by thinking of the heron.”
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“At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one's heart than cypresses and palms, and near them one doesn't want to be thinking of the sea and the mountains.”
― The Lady with the Little Dog
― The Lady with the Little Dog
“It will not be easy to let go of your deceased mother, who stands in her kitchen slicing potatoes and roast, who hacks ice from the sidewalk with shovels; she is marrow and bone, a kernel of morals, values, and lessons compacted like some astronomical amount of matter into tablespoons, one with sugar for your cereal, another, for your fever, with a crushed aspirin and orange juice. You love her. You mark time and space by her: she is someone you are always either near to or very far from.”
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“The short story can be hot and sweet or hot and fierce. You get it in one sitting or you don’t get it. It’s like a shore break. It happens quickly, and is right there in front of you, menacing you. First you’re looking at the shore break, and then if you don’t back up, it’s on you. The novel is the long, low wave that you ride south from the Arctic Circle. It’s powerful, but its power accumulates over a very long time as it rolls towards the reef.”
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Rachel’s 2025 Year in Books
Take a look at Rachel’s Year in Books, including some fun facts about their reading.
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