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Philip Roth
“Worship me, she says, worship the mistery of the bleeding goddess, and you do it. You stop at nothing. You lick it. You consume it. You digest it. She penetrates you.
What next, David? A glass of her urine. How long before you would have begged for her feces? I'm not against it because it's unhygienic.
I'm not against it because it's disgusting. I'm against it because it's falling in love. The only obession everybody wants: 'love'. People think that in falling in love they make themselves whole? The Platonic union of souls? I think otherwise. I think you're whole before you begin. And the love fractures you. You're whole, and then you're cracked open. She was a foreign body introduced into your wholeness. And for a year and a half you struggled to incorporate it. But you'll never be whole until you expel it. You either get rid of it or incorporate it through self-distortion.”
Philip Roth, The Dying Animal

Philip Roth
“...he was seething suddenly with remorse, because of having done what he'd done and because he hadn't done more. Seething with outrage too, about "Basel" more than anything--as outraged by what Nathan had got right there as by what he'd got wrong, as much by what he'd been making up as by what he was reporting. It was the two in combination that were particularly galling, especially where the line was thin and everything was given the most distorted meaning.”
Philip Roth, The Counterlife

Philip Roth
“... and I experienced the bitter helplessness of a taunted old man dying to be whole again.”
Philip Roth, Exit Ghost

Philip Roth
“That people were manifold creatures didn't come as a surprise to the Swede, even if it was a bit of a shock to realize it anew when someone let you down. What was astonishing to him was how people seemed to run out of their own being, run out of whatever the stuff was that made them who they were and, drained of themselves, turn into the sort of people they would once have felt sorry for. It was as though while their lives were rich and full they were secretly sick of themselves and couldn't wait to dispose of their sanity and their health and all sense of proportion so as to get down to that other self, the true self, who was a wholly deluded fuckup. It was as though being in tune with life was an accident that might sometimes befall the fortunate young but was otherwise something for which human beings lacked any real affinity.”
Philip Roth, American Pastoral

Philip Roth
“She had been stopped when Morty was killed, stopped from going forward, and all the logic went out of her life. She wanted life, as all people do, to be logical and linear, as orderly as she made the house and her kitchen and the boy's bureau drawers. She had worked so hard to be in control of a household's destiny. All her life she waited not only for Morty but for the explanation from Morty: Why? The question haunted Sabbath. Why? Why? If only someone will explain to us why, maybe we could accept it. Why did you die? Where did you go? However much you may have hated me, why don't you come back so we can continue with our linear, logical life like all the other couples who hate each other?”
Philip Roth, Sabbath's Theater

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