Katie

“Beverly once read a science magazine article about bioluminescence, the natural glow emitted by organisms like fireflies and jellyfish, but she knows the dead also give off a strange illumination, a phosphor that can permanently damage the eyes of the living. Necroluminescence - the light of the vanished. A hindsight produced by the departed body. Your failings backlit by the death of your loved ones.”
― Karen Russell, Vampires in the Lemon Grove

“I pray to the birds. I pray to the birds because I believe they will carry the messages of my heart upward. I pray to them because I believe in their existence, the way their songs begin and end each day—the invocations and benedictions of Earth. I pray to the birds because they remind me of what I love rather than what I fear. And at the end of my prayers, they teach me how to listen.”
― Terry Tempest Williams, Refuge: An Unnatural History of Family and Place

“Now when I go out, the wind pulls me into the grave. I go out to part the hair of a child I left behind, and he pushes his face into my cuffs, to smell the wind. If I carry my father with me, it is the way a horse carries autumn in its mane. If I remember my brother, it is as if a buck had knelt down in a room I was in. I kneel, and the wind kneels down in me. What is it to have a history, a flock buried in the blindness of winter? Try crawling with two violins into the hallway of your father’s hearse. It is filled with sparrows. Sometimes I go to the field and the field is bare. There is the wind, which entrusts me; there is a woman walking with a pail of milk, a man who tilts his bread in the sun; there is the black heart of a mare in the milk—or is it the wind, the way it goes? I don’t know about the wind, about the way it goes. All I know is that sometimes someone will pick up the black violin of his childhood and start playing—that it sits there on his shoulder like a thin gray falcon asleep in its blinders, and that we carry each other this way because it is the way we would like to be carried: sometimes with mercy, sometimes without.”
― Joseph Fasano, Fugue for Other Hands

“Upon seeing Utah for the first time, Tarkovsky remarked that now he knew Americans were vulgar because they filmed westerns in a place that should only serve as backdrop to films about God.”
― Ling Ma, Severance