Clarissa

“A religious symbol conveys its message even if it is no longer consciously understood in every part. For a symbol speaks to the whole human being and not only to the intelligence.”
― Mircea Eliade, The Sacred and the Profane: The Nature of Religion

“It was lunar symbolism that enabled man to relate and connect such heterogeneous things as: birth, becoming, death, and ressurection; the waters, plants, woman, fecundity, and immortality; the cosmic darkness, prenatal existence, and life after death, followed by the rebirth of the lunar type ("light coming out of darkness"); weaving, the symbol of the "thread of life," fate, temporality, and death; and yet others. In general most of the ideas of cycle, dualism, polarity, opposition, conflict, but also of reconciliation of contraries, of coincidentia oppositorum, were either discovered or clarified by virtue of lunar symbolism. We may even speak of a metaphysics of the moon, in the sense of a consistent system of "truths" relating to the mode of being peculiar to living creatures, to everything in the cosmos that shares in life, that is, in becoming, growth and waning, death and ressurrection.”
― Mircea Eliade, The Sacred and the Profane: The Nature of Religion

“La rencontre avec mes premiers vrais défauts me donnait une assurance que je n'avais jamais eue. Ils mettaient en valeur mes qualités que je découvrais aussi et qui m'intéressaient moins. Mes qualités ne me faisaient progresser que lorsque mes défauts les excitaient. ... Je ressentais profondément qu'en les connaissant ils devenaient des outils utiles à ma construction. Il ne s'agissait plus de les repousser, ou de les supprimer, encore moins d'en avoir honte, mais de les maîtriser et de m'en servir, le cas échéant. Mes défauts étaient des qualités, en quelque sorte.”
― Marie Cardinal, The Words to Say It

“...through reading, the modern man succeeds in obtaining an "escape from time" comparable to the "emegence from time" effected by myths. (...) Reading projects him out if his personal duration and incorporates him into other rythms, makes him live in another "history".”
― Mircea Eliade, The Sacred and the Profane: The Nature of Religion