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One of the features of experiencing the end of a totalizing conviction is that it divides your idea of the world along a binary: There is the world in which what you knew was real, and then the world in which it is not. You belong to both
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“We lose weeks like buttons, like pencils.”
― A Heartbreaking Work of Staggering Genius
― A Heartbreaking Work of Staggering Genius
“Most reckless things are beautiful in some way, and recklessness is what makes experimental art beautiful, just as religions are beautiful because of the strong possibilities that they are founded on nothing.”
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“In the destructive element immerse.”
― Lord Jim
― Lord Jim
“But it seems to me that once you begin a gesture it's fatal not to go through with it.”
― A&P: Lust in the Aisles
― A&P: Lust in the Aisles
“Why do you never find anything written about that idiosyncratic thought you advert to, about your fascination with something no one else understands? Because it is up to you. There is something you find interesting, for a reason hard to explain. It is hard to explain because you have never read it on any page; there you begin. You were made and set here to give voice to this, your own astonishment. "The most demanding part of living a lifetimes as an artist is the strict discipline of forcing oneself to work steadfastly along the nerve of one's own most intimate sensitivity." Anne Truitt, the sculptor, said this. Thoreau said it another way: know your own bone. "Pursue, keep up with, circle round and round your life....Know your own bone: gnaw at it, bury it, unearth it, and gnaw at it still.”
― The Writing Life: The Classic Essay Collection on the Creative Process
― The Writing Life: The Classic Essay Collection on the Creative Process
Kenneth’s 2025 Year in Books
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