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“I was left alone there in the company of the orchids, roses and violets, which, like people waiting beside you who do not know you, preserved a silence which their individuality as living things made all the more striking, and warmed themselves in the heat of a glowing coal fire...”
― Within a Budding Grove
― Within a Budding Grove
“There is no greater sorrow then to recall our times of joy in wretchedness.”
― Inferno
― Inferno
“I have no money, no resources, no hopes. I am the happiest man alive. A year ago, six months ago, I thought that I was an artist. I no longer think about it, I am. Everything that was literature has fallen from me. There are no more books to be written thank God.”
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“Visibility is a trap.”
― Discipline and Punish: The Birth of the Prison
― Discipline and Punish: The Birth of the Prison
“I think Shakespeare would have been amazed if people had to limit him to English themes, and if they had told him as an Englishman, he had no right to compose Hamlet, whose theme is Scandinavian, or Macbeth, whose theme is Scottish. The Argentine cult of local colour is a recent European cult which the nationalists ought to reject as foreign.
Some days past I have found a curious confirmation of the fact that what is truly native can and often does dispense with local colour; I found this confirmation in Gibbon's Decline and Fall of the Roman Empire. Gibbon observes that in the Arabian book par excellence, in the Koran, there are no camels; I believe if there were any doubt as to the authenticity of the Koran, this absence of camels would be sufficient to prove it is an Arabian work. It was written by Mohammed, and Mohammed, as an Arab, had no reason to know that camels were especially Arabian; for him they were a part of reality, he had no reason to emphasize them; on the other hand, the first thing a falsifier, a tourist, an Arab nationalist would do is have a surfeit of camels, caravans of camels, on every page; but Mohammed, as an Arab, was unconcerned: he knew he could be an Arab without camels. I think we Argentines can emulate Mohammed, can believe in the possibility of being Argentine without abounding in local colour.”
― Labyrinths: Selected Stories & Other Writings
Some days past I have found a curious confirmation of the fact that what is truly native can and often does dispense with local colour; I found this confirmation in Gibbon's Decline and Fall of the Roman Empire. Gibbon observes that in the Arabian book par excellence, in the Koran, there are no camels; I believe if there were any doubt as to the authenticity of the Koran, this absence of camels would be sufficient to prove it is an Arabian work. It was written by Mohammed, and Mohammed, as an Arab, had no reason to know that camels were especially Arabian; for him they were a part of reality, he had no reason to emphasize them; on the other hand, the first thing a falsifier, a tourist, an Arab nationalist would do is have a surfeit of camels, caravans of camels, on every page; but Mohammed, as an Arab, was unconcerned: he knew he could be an Arab without camels. I think we Argentines can emulate Mohammed, can believe in the possibility of being Argentine without abounding in local colour.”
― Labyrinths: Selected Stories & Other Writings
Simo’s 2025 Year in Books
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