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Elena Ferrante
“starting at a certain point, the future is only a need to live in the past. To immediately redo the grammatical tenses.”
Elena Ferrante, The Days of Abandonment

Gustave Flaubert
“[T]he truth is that fullness of soul can sometimes overflow in utter vapidity of language, for none of us can ever express the exact measure of his needs or his thoughts or his sorrows; and human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.”
Gustave Flaubert, Madame Bovary

James Salter
“There is no complete life. There are only fragments. We are born to have nothing, to have it pour through our hands.”
James Salter, Light Years

Eileen Myles
“1990 was a totally political time. George Bush was president, people were dying of AIDS, a lot of our friends, and there was no money being spent by the government either on AIDS or art. So a lot of extreme sexual and political work was made at that time. It was in response to the situation. But that kind of "edgy" political work wasn't exactly what I was doing. I felt a little like my mother. I just wasn't surprised that the government wouldn't support this work. What would you expect. I had personally grown up in a world of total censorship so I wasn't surprised to see politicians wanting to take money away from the art that was explicitly talking about this entire reality of ours. It seemed like the real desire from them (the politicians) was to have no description. That's what they would have paid for. ...Doing their business, wars or whatever, behind the scenes and meanwhile propagating a giant nothing which has become a something the government and the media have only perfected since. To a very large extent people don't even know. I mean it's kind of the great product of this country. The American Way. A big nothing. A cataclysmic unawareness in the face of evil.”
Eileen Myles, Inferno

Yōko Ogawa
“His soul is too dense. If he comes out, he'll dissolve into pieces, like a deep-sea fish pulled to the surface too quickly. I suppose my job is to go on holding him here at the bottom of the sea.”
Yōko Ogawa, The Memory Police

year in books
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