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“If music be the food of love, play on;
Give me excess of it, that, surfeiting,
The appetite may sicken, and so die.
That strain again! it had a dying fall:
O, it came o'er my ear like the sweet sound,
That breathes upon a bank of violets,
Stealing and giving odour! Enough; no more:
'Tis not so sweet now as it was before.
O spirit of love! how quick and fresh art thou,
That, notwithstanding thy capacity
Receiveth as the sea, nought enters there,
Of what validity and pitch soe'er,
But falls into abatement and low price,
Even in a minute: so full of shapes is fancy
That it alone is high fantastical.”
― Twelfth Night
Give me excess of it, that, surfeiting,
The appetite may sicken, and so die.
That strain again! it had a dying fall:
O, it came o'er my ear like the sweet sound,
That breathes upon a bank of violets,
Stealing and giving odour! Enough; no more:
'Tis not so sweet now as it was before.
O spirit of love! how quick and fresh art thou,
That, notwithstanding thy capacity
Receiveth as the sea, nought enters there,
Of what validity and pitch soe'er,
But falls into abatement and low price,
Even in a minute: so full of shapes is fancy
That it alone is high fantastical.”
― Twelfth Night
“An Evening Air
I go out in the grey evening
In the air the odor of flowers and the sounds of lamentation.
I go out into the hard loneliness of the barren field of grey evening
In the air the odor of flowers and the sounds of lamentation.
In the gathering darkness a long, swift train suddenly
Passes me like a lighting.
Hard and ponderous and loud are the wheels.
As ponderous as the darkness, and as beautiful.
I look on, enchanted, and listen to the sounds of lamentation
In the soft fragrant air.
The long rails, grey-dark, smooth as a serpent, shiver, and
A soft, low thing cries out in the distance,
But the sounds are hard and heavy,
In the air the odor of flowers and the sounds of lamentation.”
―
I go out in the grey evening
In the air the odor of flowers and the sounds of lamentation.
I go out into the hard loneliness of the barren field of grey evening
In the air the odor of flowers and the sounds of lamentation.
In the gathering darkness a long, swift train suddenly
Passes me like a lighting.
Hard and ponderous and loud are the wheels.
As ponderous as the darkness, and as beautiful.
I look on, enchanted, and listen to the sounds of lamentation
In the soft fragrant air.
The long rails, grey-dark, smooth as a serpent, shiver, and
A soft, low thing cries out in the distance,
But the sounds are hard and heavy,
In the air the odor of flowers and the sounds of lamentation.”
―
“I ignored your aura but it grabbed me by the hand, like the moon pulled the tide, and the tide pulled the sand.”
―
―
“who knows if the moon's
a balloon,coming out of a keen city
in the sky--filled with pretty people?
( and if you and I should
get into it,if they
should take me and take you into their balloon,
why then
we'd go up higher with all the pretty people
than houses and steeples and clouds:
go sailing
away and away sailing into a keen
city which nobody's ever visited,where
always
it's
Spring)and everyone's
in love and flowers pick themselves”
― Collected Poems
a balloon,coming out of a keen city
in the sky--filled with pretty people?
( and if you and I should
get into it,if they
should take me and take you into their balloon,
why then
we'd go up higher with all the pretty people
than houses and steeples and clouds:
go sailing
away and away sailing into a keen
city which nobody's ever visited,where
always
it's
Spring)and everyone's
in love and flowers pick themselves”
― Collected Poems
“How happy is the blameless vestal’s lot!
The world forgetting, by the world forgot.
Eternal sunshine of the spotless mind!
Each pray’r accepted, and each wish resign’d”
― Eloisa to Abelard
The world forgetting, by the world forgot.
Eternal sunshine of the spotless mind!
Each pray’r accepted, and each wish resign’d”
― Eloisa to Abelard
Anujith’s 2025 Year in Books
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