James Mccann

“On a deeper level, the film [Seven Days in May] displays several themes that are important to my father throughout his career. Prime among these is not succumbing to fear born of ignorance. In the nuclear age, he seems to be telling us, we can't throw up our hands in helplessness over the enormity of the problem. With the stakes as dire as they are, we must all work positively to change things for the better. I think that is why he believes so firmly in the idea of the United Nations. As in 'Twilight Zone's' "The Monsters Are Due on Maple Street", my dad is warning us that the greatest threat we face is if a potential enemy uses our fears to get us to start destroying ourselves.”
― Anne Serling, As I Knew Him: My Dad, Rod Serling

“I became a journalist because I did not want to rely on newspapers for information.”
― Christopher Hitchens

“In the course of its development, civilization eliminates heroism.”
― Jean Lartéguy

“I once spoke to someone who had survived the genocide in Rwanda, and she said to me that there was now nobody left on the face of the earth, either friend or relative, who knew who she was. No one who remembered her girlhood and her early mischief and family lore; no sibling or boon companion who could tease her about that first romance; no lover or pal with whom to reminisce. All her birthdays, exam results, illnesses, friendships, kinships—gone. She went on living, but with a tabula rasa as her diary and calendar and notebook. I think of this every time I hear of the callow ambition to 'make a new start' or to be 'born again': Do those who talk this way truly wish for the slate to be wiped? Genocide means not just mass killing, to the level of extermination, but mass obliteration to the verge of extinction. You wish to have one more reflection on what it is to have been made the object of a 'clean' sweep? Try Vladimir Nabokov's microcosmic miniature story 'Signs and Symbols,' which is about angst and misery in general but also succeeds in placing it in what might be termed a starkly individual perspective. The album of the distraught family contains a faded study of Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths—until the Germans put her to death, together with all the people she had worried about.”
― Christopher Hitchens, Hitch 22: A Memoir