Marcelo Sanchez

“When I was a young man and very well thought of,
I couldn't ask aught that the ladies denied.
I nibbled their hearts like a handful of raisins,
And I never spoke love but I knew that I lied.

But I said to myself, 'Ah, they none of them know
The secret I shelter and savor and save
I wait for the one who will see through my seeming,
And I'll know when I love by the way I behave.'

The years drifted over like clouds in the heavens;
The ladies went by me like snow on the wind.
I charmed and I cheated, deceived and dissembled,
And I sinned, and I sinned, and I sinned, and I sinned.

But I said to myself, 'Ah, they none of them see
There's part of me pure as the whisk of a wave.
My lady is late but she'll find I've been faithful,
And I'll know when I love by the way I behave.'

At last came a lady both knowing and tender,
Saying, 'you're not at all what they take you to be.'
I betrayed her before she had quite finished speaking,
And she swallowed cold poison and jumped in the sea.

And I say to myself when there's time for a word,
As I gracefully grow more debauched and depraved,
'Ah, love may be strong, but a habit is stronger
And I knew when I loved by the way I behaved.”
― Peter S. Beagle, The Last Unicorn

“When he was creating this picture, Leonardo da Vinci encountered a serious problem: he had to depict Good - in the person of Jesus - and Evil - in the figure of Judas, the friend who resolves to betray him during the meal. He stopped work on the painting until he could find his ideal models.

One day, when he was listening to a choir, he saw in one of the boys the perfect image of Christ. He invited him to his studio and made sketches and studies of his face.

Three years went by. The Last Supper was almost complete, but Leonardo had still not found the perfect model for Judas. The cardinal responsible for the church started to put pressure on him to finish the mural.

After many days spent vainly searching, the artist came across a prematurely aged youth, in rags and lying drunk in the gutter. With some difficulty, he persuaded his assistants to bring the fellow directly to the church, since there was no time left to make preliminary sketches.

The beggar was taken there, not quite understanding what was going on. He was propped up by Leonardo's assistants, while Leonardo copied the lines of impiety, sin and egotism so clearly etched on his features.

When he had finished, the beggar, who had sobered up slightly, opened his eyes and saw the picture before him. With a mixture of horror and sadness he said:

'I've seen that picture before!'


'When?' asked an astonished Leonardo.

'Three years ago, before I lost everything I had, at a time when I used to sing in a choir and my life was full of dreams. The artist asked me to pose as the model for the face of Jesus.”
― Paulo Coelho, The Devil and Miss Prym

“He spun around. She was leaning against the doorframe, like an attractive yawn on legs.”
― Neil Gaiman, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

“[Luke, holding stormtrooper helmet.] Alas, poor stormtrooper, I knew ye not,/ yet have I taken both uniform and life/ From thee. What manner of a man wert thou?/ A man of inf'nite jest or cruelty?/ A man with helpmate and with children too?/ A man who hath his Empire serv'd with pride?/ A man, perhaps, who wish'd for perfect peace?/ What'er thou wert, goodman, thy pardon grant/ Unto the one who took thy place: e'en me.”
― Ian Doescher, William Shakespeare's Star Wars: Verily, A New Hope