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“I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your bootsoles.”
― Leaves of Grass
If you want me again look for me under your bootsoles.”
― Leaves of Grass
“Question: I am interested in so many things, and I have a terrible fear because my mother keeps telling me that I'm just going to be exploring the rest of my life and never get anything done. But I find it really hard to set my ways and say, "Well, do I want to do this, or should I try to exploit that, or should I escape and completely do one thing?"
Anaïs Nin: One word I would banish from the dictionary is 'escape.' Just banish that and you'll be fine. Because that word has been misused regarding anybody who wanted to move away from a certain spot and wanted to grow. He was an escapist. You know if you forget that word you will have a much easier time. Also you're in the prime, the beginning of your life; you should experiment with everything, try everything.... We are taught all these dichotomies, and I only learned later that they could work in harmony. We have created false dichotomies; we create false ambivalences, and very painful one's sometimes -the feeling that we have to choose. But I think at one point we finally realize, sometimes subconsciously, whether or not we are really fitted for what we try and if it's what we want to do.
You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.”
―
Anaïs Nin: One word I would banish from the dictionary is 'escape.' Just banish that and you'll be fine. Because that word has been misused regarding anybody who wanted to move away from a certain spot and wanted to grow. He was an escapist. You know if you forget that word you will have a much easier time. Also you're in the prime, the beginning of your life; you should experiment with everything, try everything.... We are taught all these dichotomies, and I only learned later that they could work in harmony. We have created false dichotomies; we create false ambivalences, and very painful one's sometimes -the feeling that we have to choose. But I think at one point we finally realize, sometimes subconsciously, whether or not we are really fitted for what we try and if it's what we want to do.
You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.”
―
“Do you know what I would answer to someone who asked me for a description of myself, in a hurry? This:
?? !!
For indeed my life is a perpetual question mark--my thirst for books, my observations of people, all tend to satisfy a great, overwhelming desire to know, to understand, to find an answer to a million questions. And gradually the answers are revealed, many things are explained, and above all, many things are given names and described, and my restlessness is subdued. Then I become an exclamatory person, clapping my hands to the immense surprises the world holds for me, and falling from one ecstasy into another. I have the habit of peeping and prying and listening and seeking--passionate curiosity and expectation. But I have also the habit of being surprised, the habit of being filled with wonder and satisfaction each time I stumble on some wondrous thing. The first habit could make me a philosopher or a cynic or perhaps a humorist. But the other habit destroys all the delicate foundations, and I find each day that I am still...only a Woman!”
― The Early Diary of Anaïs Nin, Vol. 2: 1920-1923
?? !!
For indeed my life is a perpetual question mark--my thirst for books, my observations of people, all tend to satisfy a great, overwhelming desire to know, to understand, to find an answer to a million questions. And gradually the answers are revealed, many things are explained, and above all, many things are given names and described, and my restlessness is subdued. Then I become an exclamatory person, clapping my hands to the immense surprises the world holds for me, and falling from one ecstasy into another. I have the habit of peeping and prying and listening and seeking--passionate curiosity and expectation. But I have also the habit of being surprised, the habit of being filled with wonder and satisfaction each time I stumble on some wondrous thing. The first habit could make me a philosopher or a cynic or perhaps a humorist. But the other habit destroys all the delicate foundations, and I find each day that I am still...only a Woman!”
― The Early Diary of Anaïs Nin, Vol. 2: 1920-1923
“I refuse putting from me the best that I am.”
― Leaves of Grass
― Leaves of Grass
“Is a PLONGEUR'S work really necessary to civilization? We have a feeling that it must be 'honest' work, because it is hard and disagreeable, and we have made a sort of fetish of manual work. We see a man cutting down a tree, and we make sure that he is filling a social need, just because he uses his muscles; it does not occur to us that he may only be cutting down a beautiful tree to make room for a hideous statue. I believe it is the same with a PLONGEUR. He earns his bread in the sweat of his brow, but it does not follow that he is doing anything useful; he may be only supplying a luxury which, very often, is no luxury at all.”
― Down and Out in Paris and London
― Down and Out in Paris and London
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