Natalie Monroe
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Natalie Monroe

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Leigh Bardugo
“This is a bad idea," moped Adrik.
"I have a surplus of bad ideas," said Nikolai. "I have to spend them somewhere.”
Leigh Bardugo, Rule of Wolves

Leigh Bardugo
“Love was the destroyer. It made mourners, widows, left misery in its wake. Grief and love were one and the same. Grief was the shadow love left when it was gone.”
Leigh Bardugo, Rule of Wolves

Brandon Sanderson
“Memory is often our only connection to who we used to be. Memories are fossils, the bones left by dead versions of ourselves. More potently, our minds are a hungry audience, craving only the peaks and valleys of experience. The bland erodes, leaving behind the distinctive bits to be remembered again and again. Painful or passionate, surreal or sublime, we cherish those little rocks of peak experience, polishing them with the ever-smoothing touch of recycled proxy living. In so doing—like pagans praying to a sculpted mud figure—we make of our memories the gods which judge our current lives.”
Brandon Sanderson, Tress of the Emerald Sea

Brandon Sanderson
“We always pretend the ideals and culture of the past have aged like wine, but in truth, the ideas of the past tend to age more like biscuits. They simply get stale.”
Brandon Sanderson, Tress of the Emerald Sea

Brandon Sanderson
“We want to imagine that people are consistent, steady, stable. We define who they are, create descriptions to lock them on a page, divide them up by their likes, talents, beliefs. Then we pretend some—perhaps most—are better than we are, because they stick to their definitions, while we never quite fit ours. Truth is, people are as fluid as time is. We adapt to our situation like water in a strangely shaped jug, though it might take us a little while to ooze into all the little nooks. Because we adapt, we sometimes don’t recognize how twisted, uncomfortable, or downright wrong the container is that we’ve been told to inhabit.”
Brandon Sanderson, Tress of the Emerald Sea

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