Kaye

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Yaa Gyasi
“We believe the one who has power. He is the one who gets to write the story. So when you study history, you must ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there you get a clearer, yet still imperfect, picture.”
Yaa Gyasi, Homegoing

Mindy McGinnis
“It’s not the sheep that call to me, but the other wolves. I want to run with them, so that I may tear out their throats when they threaten my flock. But I can’t return to the sheep with blood on my breath; they will shy away from me.”
Mindy McGinnis, The Female of the Species

Marie Rutkoski
“How do I look in the dark?”
Startled, Arin glanced at him. The question had had no edges. It wasn’t sleek, either. Its soft, uncertain shape suggested that Roshar truly wanted to know. In the fired red shadows, his limbs looked lax and his mutilated face met Arin’s squarely. The heavy feeling that Arin carried—that specific sadness, nestled just below his collar bone, like a pendant—lessened. He said, “Like my friend.”
Roshar didn’t smile. When he spoke, his voice matched his expression, which was rare for him. Rarer still: his tone. Quiet and true. “You do, too.”
Marie Rutkoski, The Winner's Kiss

Marie Rutkoski
“An emotion clamped down on her heart. It squeezed her into a terrible silence. But he said nothing after that, only her name, as if her name were not a name but a question. Or perhaps that it wasn’t how he had said it, and she was wrong, and she’d heard a question simply because the sound of him speaking her name made her wish that she were his answer.”
Marie Rutkoski, The Winner's Crime

Alice Pung
“I never tell them about our lives. You know why? It is not because I am ashamed. It is because some things are just good, too good to be judged.”
Alice Pung, Laurinda

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